Как пишется слово битбокс

Beatboxing (also beat boxing) is a form of vocal percussion primarily involving the art of mimicking drum machines (typically a TR-808), using one’s mouth, lips, tongue, and voice.^[1] It may also involve vocal imitation of turntablism, and other musical instruments. Beatboxing today is connected with hip-hop culture, often referred to as «the fifth element» of hip-hop, although it is not limited to hip-hop music.^[2][3] The term «beatboxing» is sometimes used to refer to vocal percussion in general.

Origins[edit]

Techniques similar to beatboxing have been employed in diverse American musical genres since the 19th century, such as early rural music, both black and white, religious songs, blues, ragtime, vaudeville, and hokum. Examples include the Appalachian technique of eefing and the blues song Bye bye bird by Sonny Boy Williamson II.

Additional influences may perhaps include forms of African traditional music, in which performers utilize their bodies (e.g., by clapping or stomping) as percussion instruments and produce sounds with their mouths by breathing loudly in and out, a technique used in beatboxing today.^[4][5]

Vocal percussion [is], «the imitation or approximation of percussion instruments,» and beatboxing is a form of vocal percussion but can be described as, «music with your mouth… beatboxing is making and being the music, not just rhythm.» …Beatboxing is both the rhythm — predominantly through the bass and snare drums as well as hi-hat — while also incorporating various sound effects such as DJ scratching, synthesizers, and bass lines. Using the mouth, lips, tongue, and voice to make music is thus the beatboxer’s equivalent to a pianist’s fingers and arms.^[6][7]

Many well-known performers used vocal percussion occasionally, even though this was not directly connected to the cultural tradition that came to be known as beatboxing. Paul McCartney’s «That Would Be Something» (1969) includes vocal percussion. Pink Floyd’s «Pow R. Toc H.» (1967) also includes vocal percussion performed by the group’s original lead vocalist, Syd Barrett. Jazz singers Bobby McFerrin and Al Jarreau were very well known for their vocal styles and techniques, which have had great impact on techniques beatboxers use today. Michael Jackson was known to record himself beatboxing on a dictation tape recorder as a demo and scratch recording to compose several of his songs, including «Billie Jean», «The Girl Is Mine», and others.^[8] In contrast, the English folk rock band Jethro Tull adopted beatboxing on at least one track on their 2003 Christmas album. Gert Fröbe, a German actor most widely known for playing Auric Goldfinger in the James Bond film Goldfinger, «beatboxes» as Colonel Manfred von Holstein (simultaneously vocalizing horned and percussive instruments) in Those Magnificent Men in Their Flying Machines, a 1965 British comedy film.

Contribution to hip-hop[edit]

Modern beatboxing first began as a way to assist or backup the MC. When drum machines were unavailable or unaffordable, communities in the inner city of New York began to mimic the sounds with their voices in cyphers. The term «beatboxing» is derived from the mimicry of early drum machines, then known as beatboxes, particularly the Roland TR-808.^[1] The term «beatbox» was used to refer to earlier Roland drum machines such as the TR-55 and CR-78 in the 1970s.^[9] They were followed by the TR-808, released in 1980, which became central to hip hop music^[9] and electronic dance music.^[1] It is the TR-808 that human beatboxing is largely modeled after.^[1]

«Human beatboxing» in hip-hop originated in the 1980s. Its early pioneers include Doug E. Fresh, the self-proclaimed first «human beatbox» (and arguably its most famous practitioner);^[10] Swifty, the first to implement the inhale sound technique^{[citation needed]}; Buffy, who helped perfect many beatboxing techniques;^[11] and Wise, who contributed significantly to beat boxing’s proliferation.^{[citation needed]} Wise inspired an entire new fan base of human beatboxers with his human turntable technique. Other pioneers of beatboxing include Rahzel well known for his realistic robotic sounds and for his ability to sing and beatbox simultaneously, Scratch a beatboxer and musician well known for further revolutionizing the use of vocal scratching in beatboxing, Kenny Muhammad The Human Orchestra, a beatboxer known for his technicality and outstanding rhythmic precision, who pioneered the inward k snare, a beatbox technique that imitates a snare drum by breathing inward, and Emanon, an early protegee of Doug E. Fresh associated with Ice T and Afrika Islam.^[12] Many refer to beatboxing as the unofficial 5th element of hip-hop.

Modern beatboxing[edit]

An example of modern beatboxing

The Internet has played a large part in the popularity of modern beatboxing. Alex Tew (aka A-Plus) started the first online community of beatboxers in 2000 under the banner of HUMANBEATBOX.COM. An early example of modern beatboxing was seen in the 2001 South Korean romantic comedy film My Sassy Girl. In 2001, Gavin Tyte, a member of this community created the world’s first tutorials and video tutorials on beatboxing. In 2003, the community held the world’s first Human Beatbox Convention in London featuring beatbox artists from all over the world.

Beatboxing’s current popularity is due in part to releases from artists such as Rahzel, RoxorLoops, Reeps One and Alem. In the Pacific, American beatboxer of Hawaii Chinese descent Jason Tom co-founded the Human Beatbox Academy to perpetuate the art of beatboxing through outreach performances, speaking engagements and workshops in Honolulu, the westernmost and southernmost major U.S. city of the 50th U.S. state of Hawaii.^{[13][14][15][16][17][18][19]}

Sometimes, modern beatboxers will use their hand or another part of their body to extend the spectrum of sound effects and rhythm. Some have developed a technique that involves blowing and sucking air around their fingers to produce a very realistic record scratching noise, which is commonly known as the «crab scratch.» Another hand technique includes the «throat tap,» which involves beatboxers tapping their fingers against their throats as they throat sing or hum. Beatboxers today can produce up to 2 different sounds at the same time.^{[citation needed]}

Modern beatboxing has also evolved with the advent of technology such as live looping. Many beatboxers like the Beardyman, KRNFX, and The Petebox use modern looping devices such as the Boss RC-505 to sample or layer their beatboxing sounds live on stage, in addition to traditional solo beatboxing. Such adaptation has allowed modern beatboxers to perform entire musical compositions much like DJ’s but with their mouths.

Today there is an increase in the variety in which we see beatboxing throughout musical culture. People have gone as far as adding beatboxing in with different instruments to create a completely different sound unlike any other. Artist Greg Patillo goes as far as adding in beatboxing while playing the flute to very iconic songs. Beatbox has become modernized and has even been seen in popular movies such as Pitch Perfect and Pitch Perfect 2. These movies showcase classical songs performed with a cappella covers in which all of the beats to the songs are done completely using the idea and technique of beatboxing to complete the sound capable to imitate the original song.

Notation[edit]

As with other musical disciplines, some form of musical notation or transcription may sometimes be useful in order to describe beatbox patterns or performances. Sometimes this takes the form of ad hoc phonetic approximations, but is occasionally more formal. [b] is usually the bass drum, [k] is usually the snare drum, and /ts/ ([t͡s]) is usually the hi-hat (in ⁴
₄: 𝄆b-ts-k-ts-b-ts-k-ts𝄇).

Standard Beatbox Notation (SBN) was created by Mark Splinter and Gavin Tyte^[20] of Humanbeatbox.com in 2006^[21] as an alternative to International Phonetic Alphabet (IPA) transcription, which had been used sparingly before then.

In a research study published in 2013 and based on real-time MRI imaging of a beatboxer, the authors propose a notation system which combines the International Phonetic Alphabet with musical staff notation, in part motivated by their observation that many beatboxing sounds can be adequately represented by the IPA.^[22]

Phonology[edit]

Each beatboxer can produce a very large number of unique sounds, but there are three distinct linguistic categories of sound within beatboxing. Ejectives are the strong puffs of air from the voice box that give intensity to percussive sounds. The «t», «p», «k», «d», «b», and «g» sounds can all be made into ejectives^{[dubious – discuss]}. «Ch» and «j» are examples of ejective affricates.

Nonstandard fricatives are the mechanical sounds such as snare drums, cymbals, and other buzzing noises in beatboxing that are made with fricatives. Certain sounds, such as velar lateral fricatives, bilabial lateral fricatives, and linguolabial fricatives, and velar trills^[23][24][25] are all judged impossible according to the IPA but are technically possible and are sounds that are commonly used in beatboxing.^[26]

Coarticulation is the act of controlling a sound in two places at once. A common example of this is the sound created by rolling an «r» sound while saying a «v» sound. This is called a voiced alveolar trill with labiodental articulation. Similarly, epenthesis is the sound created when beatboxers sing and do percussion at the same time. Contrary to what the sound suggests, their tongue is not in two places at once. This effect is created by placing percussive sounds in the middle of words. ^[22]

Multi-vocalism[edit]

Multi-vocalism is a form of vocal musicianship conceptualized by British Beatboxer and vocalist Killa Kela. It describes Beatboxers who incorporate other vocal disciplines and practices into their routines and performances such as singing, rapping, sound mimicry and other vocal arts. Beardyman is a well known multi-vocalist.

World records[edit]

According to the Guinness World Records, the current record for the largest human beatbox ensemble was set by Booking.com employees. The record involved 4,659 participants and was achieved by Booking.com employees together with beatboxers at the RAI Amsterdam in Amsterdam, Netherlands, on 10 December 2013 during their annual company meeting.^[27]

The previous largest human beatbox ensemble involved 2,081 participants and was achieved by Google (Ireland), Shlomo (UK) and Testament (UK) at The Convention Centre, Dublin, Ireland on 14 November 2011.^[27]

Before Shlomo’s record, the previous record for the largest human beatbox ensemble involved 1,246 participants and was achieved by Vineeth Vincent and Christ University (India) in Bangalore, Karnataka, India, on 5 February 2011.^[27]

Selected discography[edit]

This list is a selected discography of commercial releases which are mostly/entirely beatbox-based or are otherwise notable/influential records in the history of beatboxing and its popularization.

1980s[edit]

• Michael Winslow – Police Academy (1984)
• Fat Boys – «Human Beat Box» from «Fat Boys» (1984)
• Doug E. Fresh – «The Show» & «La Di Da Di» (1985)
• Emanon — «The Baby Beatbox» (1986)
• Roxanne Shante & Biz Markie — «Def Fresh Crew / Biz Beat» 12″ (1986)
• Just-Ice – Back to the Old School (1986)
• Wise – Just Say Stet (1985), Faye (1986) & Stet Troop 88 (1988)
• Biz Markie – Goin’ Off (includes beatbox track «Make The Music With Your Mouth, Biz») (1988)
• Vanilla Ice – Havin’ a Roni – from To The Extreme (1990)
• Snap! – Only Human – B-side on Mary Had A Little Boy 12″ (1990)^[28]

1990s[edit]

• Rahzel – Make The Music 2000 (1999)

2000s[edit]

• Kyle «Scratch» Jones – The Embodiment of Instrumentation (2002)
• Killa Kela – The Permanent Marker (2002)
• Esham – Out Cold (2003)
• Justin Timberlake – «Rock Your Body» (2003)
• Rahzel – Rahzel’s Greatest Knock Outs (2004)
• Björk – Medúlla (2004)
• Joel Turner – «These Kids» (2004)
• Matisyahu – «Live at Stubb’s» (2005)
• Biz Markie – Make the Music with Your Mouth, Biz (2006)
• Poizunus – A.D.D. (Active Dreaming Disorder) (2007)
• Kid Beyond – Amplivate (2004)
• Blake Lewis – A.D.D. (Audio Day Dream) (2007)
• Dub FX – «Everythinks a Ripple» (2009)

2010s[edit]

• Beardyman – I Done A Album (2011)
• Hopsin – «Lunch Time Cypher» (2013)
• Reeps One – «Move» (2013)
• Berywam — «Berywam» (2017)
• NaPoM – «Lips» (2018)^[29]

In popular culture[edit]

When asked to beatbox, Siri will repeat the phrase «Boots and Cats» to mimic beatboxing.^[30] Teen Vogue called it «perhaps the most entertaining mid-day pick-me-up ever created.»^[31] Hamilton: An American Musical used some BeatBoxing in «Aaron Burr, Sir».

Beatboxing can often be seen in national advertisements. A GEICO radio commercial, featuring a supermarket employee beatboxing various announcements over a store intercom («Cleanup on aisle 14» with beats interspersed), won the Westwood One Sports Sounds Awards Media Choice Award for best commercial heard during the radio network’s coverage of Super Bowl LII.^[32] A 2021 national M&M’s commercial seen in Times Square features American beatbox looping champion SungBeats.

See also[edit]

References[edit]

External links[edit]

Beatboxing-Communities supporting the scene for more than 10 years:

• Swissbeatbox.com — World’s largest Beatbox Platform.
• Beatboxbattle.tv — Organizer of the World Beatbox Championship.
• Humanbeatbox.com — One of the first Beatboxing Online-Communities.

Beatboxing (also beat boxing) is a form of vocal percussion primarily involving the art of mimicking drum machines (typically a TR-808), using one’s mouth, lips, tongue, and voice.^[1] It may also involve vocal imitation of turntablism, and other musical instruments. Beatboxing today is connected with hip-hop culture, often referred to as «the fifth element» of hip-hop, although it is not limited to hip-hop music.^[2][3] The term «beatboxing» is sometimes used to refer to vocal percussion in general.

Origins[edit]

Techniques similar to beatboxing have been employed in diverse American musical genres since the 19th century, such as early rural music, both black and white, religious songs, blues, ragtime, vaudeville, and hokum. Examples include the Appalachian technique of eefing and the blues song Bye bye bird by Sonny Boy Williamson II.

Additional influences may perhaps include forms of African traditional music, in which performers utilize their bodies (e.g., by clapping or stomping) as percussion instruments and produce sounds with their mouths by breathing loudly in and out, a technique used in beatboxing today.^[4][5]

Vocal percussion [is], «the imitation or approximation of percussion instruments,» and beatboxing is a form of vocal percussion but can be described as, «music with your mouth… beatboxing is making and being the music, not just rhythm.» …Beatboxing is both the rhythm — predominantly through the bass and snare drums as well as hi-hat — while also incorporating various sound effects such as DJ scratching, synthesizers, and bass lines. Using the mouth, lips, tongue, and voice to make music is thus the beatboxer’s equivalent to a pianist’s fingers and arms.^[6][7]

Many well-known performers used vocal percussion occasionally, even though this was not directly connected to the cultural tradition that came to be known as beatboxing. Paul McCartney’s «That Would Be Something» (1969) includes vocal percussion. Pink Floyd’s «Pow R. Toc H.» (1967) also includes vocal percussion performed by the group’s original lead vocalist, Syd Barrett. Jazz singers Bobby McFerrin and Al Jarreau were very well known for their vocal styles and techniques, which have had great impact on techniques beatboxers use today. Michael Jackson was known to record himself beatboxing on a dictation tape recorder as a demo and scratch recording to compose several of his songs, including «Billie Jean», «The Girl Is Mine», and others.^[8] In contrast, the English folk rock band Jethro Tull adopted beatboxing on at least one track on their 2003 Christmas album. Gert Fröbe, a German actor most widely known for playing Auric Goldfinger in the James Bond film Goldfinger, «beatboxes» as Colonel Manfred von Holstein (simultaneously vocalizing horned and percussive instruments) in Those Magnificent Men in Their Flying Machines, a 1965 British comedy film.

Contribution to hip-hop[edit]

Modern beatboxing first began as a way to assist or backup the MC. When drum machines were unavailable or unaffordable, communities in the inner city of New York began to mimic the sounds with their voices in cyphers. The term «beatboxing» is derived from the mimicry of early drum machines, then known as beatboxes, particularly the Roland TR-808.^[1] The term «beatbox» was used to refer to earlier Roland drum machines such as the TR-55 and CR-78 in the 1970s.^[9] They were followed by the TR-808, released in 1980, which became central to hip hop music^[9] and electronic dance music.^[1] It is the TR-808 that human beatboxing is largely modeled after.^[1]

«Human beatboxing» in hip-hop originated in the 1980s. Its early pioneers include Doug E. Fresh, the self-proclaimed first «human beatbox» (and arguably its most famous practitioner);^[10] Swifty, the first to implement the inhale sound technique^{[citation needed]}; Buffy, who helped perfect many beatboxing techniques;^[11] and Wise, who contributed significantly to beat boxing’s proliferation.^{[citation needed]} Wise inspired an entire new fan base of human beatboxers with his human turntable technique. Other pioneers of beatboxing include Rahzel well known for his realistic robotic sounds and for his ability to sing and beatbox simultaneously, Scratch a beatboxer and musician well known for further revolutionizing the use of vocal scratching in beatboxing, Kenny Muhammad The Human Orchestra, a beatboxer known for his technicality and outstanding rhythmic precision, who pioneered the inward k snare, a beatbox technique that imitates a snare drum by breathing inward, and Emanon, an early protegee of Doug E. Fresh associated with Ice T and Afrika Islam.^[12] Many refer to beatboxing as the unofficial 5th element of hip-hop.

Modern beatboxing[edit]

An example of modern beatboxing

The Internet has played a large part in the popularity of modern beatboxing. Alex Tew (aka A-Plus) started the first online community of beatboxers in 2000 under the banner of HUMANBEATBOX.COM. An early example of modern beatboxing was seen in the 2001 South Korean romantic comedy film My Sassy Girl. In 2001, Gavin Tyte, a member of this community created the world’s first tutorials and video tutorials on beatboxing. In 2003, the community held the world’s first Human Beatbox Convention in London featuring beatbox artists from all over the world.

Beatboxing’s current popularity is due in part to releases from artists such as Rahzel, RoxorLoops, Reeps One and Alem. In the Pacific, American beatboxer of Hawaii Chinese descent Jason Tom co-founded the Human Beatbox Academy to perpetuate the art of beatboxing through outreach performances, speaking engagements and workshops in Honolulu, the westernmost and southernmost major U.S. city of the 50th U.S. state of Hawaii.^{[13][14][15][16][17][18][19]}

Sometimes, modern beatboxers will use their hand or another part of their body to extend the spectrum of sound effects and rhythm. Some have developed a technique that involves blowing and sucking air around their fingers to produce a very realistic record scratching noise, which is commonly known as the «crab scratch.» Another hand technique includes the «throat tap,» which involves beatboxers tapping their fingers against their throats as they throat sing or hum. Beatboxers today can produce up to 2 different sounds at the same time.^{[citation needed]}

Modern beatboxing has also evolved with the advent of technology such as live looping. Many beatboxers like the Beardyman, KRNFX, and The Petebox use modern looping devices such as the Boss RC-505 to sample or layer their beatboxing sounds live on stage, in addition to traditional solo beatboxing. Such adaptation has allowed modern beatboxers to perform entire musical compositions much like DJ’s but with their mouths.

Today there is an increase in the variety in which we see beatboxing throughout musical culture. People have gone as far as adding beatboxing in with different instruments to create a completely different sound unlike any other. Artist Greg Patillo goes as far as adding in beatboxing while playing the flute to very iconic songs. Beatbox has become modernized and has even been seen in popular movies such as Pitch Perfect and Pitch Perfect 2. These movies showcase classical songs performed with a cappella covers in which all of the beats to the songs are done completely using the idea and technique of beatboxing to complete the sound capable to imitate the original song.

Notation[edit]

As with other musical disciplines, some form of musical notation or transcription may sometimes be useful in order to describe beatbox patterns or performances. Sometimes this takes the form of ad hoc phonetic approximations, but is occasionally more formal. [b] is usually the bass drum, [k] is usually the snare drum, and /ts/ ([t͡s]) is usually the hi-hat (in ⁴
₄: 𝄆b-ts-k-ts-b-ts-k-ts𝄇).

Standard Beatbox Notation (SBN) was created by Mark Splinter and Gavin Tyte^[20] of Humanbeatbox.com in 2006^[21] as an alternative to International Phonetic Alphabet (IPA) transcription, which had been used sparingly before then.

In a research study published in 2013 and based on real-time MRI imaging of a beatboxer, the authors propose a notation system which combines the International Phonetic Alphabet with musical staff notation, in part motivated by their observation that many beatboxing sounds can be adequately represented by the IPA.^[22]

Phonology[edit]

Each beatboxer can produce a very large number of unique sounds, but there are three distinct linguistic categories of sound within beatboxing. Ejectives are the strong puffs of air from the voice box that give intensity to percussive sounds. The «t», «p», «k», «d», «b», and «g» sounds can all be made into ejectives^{[dubious – discuss]}. «Ch» and «j» are examples of ejective affricates.

Nonstandard fricatives are the mechanical sounds such as snare drums, cymbals, and other buzzing noises in beatboxing that are made with fricatives. Certain sounds, such as velar lateral fricatives, bilabial lateral fricatives, and linguolabial fricatives, and velar trills^[23][24][25] are all judged impossible according to the IPA but are technically possible and are sounds that are commonly used in beatboxing.^[26]

Coarticulation is the act of controlling a sound in two places at once. A common example of this is the sound created by rolling an «r» sound while saying a «v» sound. This is called a voiced alveolar trill with labiodental articulation. Similarly, epenthesis is the sound created when beatboxers sing and do percussion at the same time. Contrary to what the sound suggests, their tongue is not in two places at once. This effect is created by placing percussive sounds in the middle of words. ^[22]

Multi-vocalism[edit]

Multi-vocalism is a form of vocal musicianship conceptualized by British Beatboxer and vocalist Killa Kela. It describes Beatboxers who incorporate other vocal disciplines and practices into their routines and performances such as singing, rapping, sound mimicry and other vocal arts. Beardyman is a well known multi-vocalist.

World records[edit]

According to the Guinness World Records, the current record for the largest human beatbox ensemble was set by Booking.com employees. The record involved 4,659 participants and was achieved by Booking.com employees together with beatboxers at the RAI Amsterdam in Amsterdam, Netherlands, on 10 December 2013 during their annual company meeting.^[27]

The previous largest human beatbox ensemble involved 2,081 participants and was achieved by Google (Ireland), Shlomo (UK) and Testament (UK) at The Convention Centre, Dublin, Ireland on 14 November 2011.^[27]

Before Shlomo’s record, the previous record for the largest human beatbox ensemble involved 1,246 participants and was achieved by Vineeth Vincent and Christ University (India) in Bangalore, Karnataka, India, on 5 February 2011.^[27]

Selected discography[edit]

This list is a selected discography of commercial releases which are mostly/entirely beatbox-based or are otherwise notable/influential records in the history of beatboxing and its popularization.

1980s[edit]

• Michael Winslow – Police Academy (1984)
• Fat Boys – «Human Beat Box» from «Fat Boys» (1984)
• Doug E. Fresh – «The Show» & «La Di Da Di» (1985)
• Emanon — «The Baby Beatbox» (1986)
• Roxanne Shante & Biz Markie — «Def Fresh Crew / Biz Beat» 12″ (1986)
• Just-Ice – Back to the Old School (1986)
• Wise – Just Say Stet (1985), Faye (1986) & Stet Troop 88 (1988)
• Biz Markie – Goin’ Off (includes beatbox track «Make The Music With Your Mouth, Biz») (1988)
• Vanilla Ice – Havin’ a Roni – from To The Extreme (1990)
• Snap! – Only Human – B-side on Mary Had A Little Boy 12″ (1990)^[28]

1990s[edit]

• Rahzel – Make The Music 2000 (1999)

2000s[edit]

• Kyle «Scratch» Jones – The Embodiment of Instrumentation (2002)
• Killa Kela – The Permanent Marker (2002)
• Esham – Out Cold (2003)
• Justin Timberlake – «Rock Your Body» (2003)
• Rahzel – Rahzel’s Greatest Knock Outs (2004)
• Björk – Medúlla (2004)
• Joel Turner – «These Kids» (2004)
• Matisyahu – «Live at Stubb’s» (2005)
• Biz Markie – Make the Music with Your Mouth, Biz (2006)
• Poizunus – A.D.D. (Active Dreaming Disorder) (2007)
• Kid Beyond – Amplivate (2004)
• Blake Lewis – A.D.D. (Audio Day Dream) (2007)
• Dub FX – «Everythinks a Ripple» (2009)

2010s[edit]

• Beardyman – I Done A Album (2011)
• Hopsin – «Lunch Time Cypher» (2013)
• Reeps One – «Move» (2013)
• Berywam — «Berywam» (2017)
• NaPoM – «Lips» (2018)^[29]

In popular culture[edit]

When asked to beatbox, Siri will repeat the phrase «Boots and Cats» to mimic beatboxing.^[30] Teen Vogue called it «perhaps the most entertaining mid-day pick-me-up ever created.»^[31] Hamilton: An American Musical used some BeatBoxing in «Aaron Burr, Sir».

Beatboxing can often be seen in national advertisements. A GEICO radio commercial, featuring a supermarket employee beatboxing various announcements over a store intercom («Cleanup on aisle 14» with beats interspersed), won the Westwood One Sports Sounds Awards Media Choice Award for best commercial heard during the radio network’s coverage of Super Bowl LII.^[32] A 2021 national M&M’s commercial seen in Times Square features American beatbox looping champion SungBeats.

See also[edit]

References[edit]

External links[edit]

Beatboxing-Communities supporting the scene for more than 10 years:

• Swissbeatbox.com — World’s largest Beatbox Platform.
• Beatboxbattle.tv — Organizer of the World Beatbox Championship.
• Humanbeatbox.com — One of the first Beatboxing Online-Communities.

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Войдите или зарегистрируйтесь бесплатно на PROMT.One и переводите еще больше!

<>

beatbox

существительное

мн.
beatboxes

битбокс

м.р.
(music)

You know, I can beatbox, right?

Ты же знаешь, что я могу делать битбокс, так?

Контексты

You know, I can beatbox, right?
Ты же знаешь, что я могу делать битбокс, так?

Tried to teach me how to beatbox that day.
В тот день он пытался научить меня битбоксу.

But until now, nobody’s thrown down a beatbox challenge.
Но до этого момента никто ещё не устраивал битбокс батл.

Naturally 7 beatboxes a whole band
Naturally 7 битбоксирует целый бэнд

One-of-a-kind R&amp;B group Naturally 7 beatboxes an orchestra’s worth of instruments to groove through their smooth single, «Fly Baby.»
Единственная в своем роде R&amp;B группа Naturally 7 битбоксирует целый инструментальный оркестр, исполняяих сингл «Лети, детка».

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Битбоксинг — это искусство создания и имитации ритмических рисунков (битов) и мелодий при помощи голосового аппарата и артикуляций органами рта. При этом современная техника битбоксинга включает также и множество других областей. Наиболее часто битбоксинг используется в качестве аккомпанемента в хип-хоповых композициях. Битбокс считается пятым элементом хип-хоп-культуры.

Подобная битбоксу техника использовалась давно (например, в фильме «Весёлые ребята» — первая музыкальная кинокомедия, снятая в 1934 году в СССР, в мультфильме 1968 года «Шпионские страсти»). Название «битбоксинг» произошло от слова «beatbox» — так назывались первые драм-машины (англ. drum machine).

История

Битбоксинг появился в Нью-Йорке и распространился по всему миру. Сегодня битбоксинг переживает второе рождение. Первенцами битбоксинга были Doug E. Fresh, Biz Markie и Buffy из «Fat Boys».

1980-е

В это время битбоксинг занимал прочные позиции. Возможно, его первой записью следует считать «La Di Da Di» Doug E. Fresh и Slick Rick. Когда «Fat Boys», ставшие косвенной причиной появления на свет слова «phat», меткого обозначения «общего командного веса», записали «Stick Em», рэп-комьюнити и все остальные отпраздновали рождение «тяжёлого» вокального стиля Buffy. Даже сегодня, когда люди высмеивают битбоксинг, они имитируют покойного Buffy, пыхтя и шумно выдыхая воздух в ладони. Значительный вклад в дело распространения битбоксинга оказали фильмы «Fat Boys», в особенности «The Disorderlies».

Наиболее яркие представители — это Знамер Дэн, Ready Rock C из «Will Smith’s crew» и The Jock Box из коллектива с названием «Skinny Boys crew» (Тощие Парни).

1990-е

В конце девяностых битбоксинг вместе с брейкингом скатился ниже андеграунда. Он находился в запустении вплоть до выпуска «Make the Music 2000» Rahzel’я «The Godfather of Noyze» — первого настоящего битбоксинг-альбома. Его название отсылает нас к «Make the Music With Your Mouth», одному из первых битбоксинг-треков, записанному хип-хоп приколистом Biz’ом Markie. Однажды на MTV появилось видео Rahzel «Just a Friend», в котором он говорил: «Девочка, у тебя есть то, что мне нужно, но ты сказала, что он всего лишь друг, всего лишь друг… О, детка, у тебя, у тебя есть то, что мне нужно…». Так Rahzel пытался обеспечить себе коммерческий успех.

2000-е

В 2002 году британский битбоксер Alex Tew aka A-Plus основал крупнейшее интерактивное битбоксинг-сообщество. Этот сайт сыграл важнейшую роль в недавнем возрождении битбоксинга: он промоутировал искусство в Интернете и организовал первое Собрание Битбоксеров (Human Beatbox Convention), которое состоялось в апреле 2003 г. Главным на HumanBeatbox.com является наличие форумов, где битбоксеры и прочие люди делятся мыслями об искусстве имитации звуков.

Особенности битбоксинга

Битбоксинг связан с искусством создания битов, ритмов и мелодий при помощи человеческого рта. Однако он также может включать пение, вокальный скрэтчинг, имитацию работы с вертушками, звуков духовых инструментов, струн и многих других.

Ссылки

• Битбокс. Как правильно произносить звуки

Хип-хоп / рэп
История	Начало истории хип-хопа • Old School • Golden Age • New School
Персоналии	Рэперы • Группы • Диджеи и продюсеры • Битбоксеры
Культура	Битбоксинг • Брейк-данс • Диджей • Бифы • Граффити • Мода

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На основании Вашего запроса эти примеры могут содержать грубую лексику.

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битбокс m

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Beatbox

участниками битбокс-исполнителей

BeatBox’у

The group’s 1984 self-titled debut album, Fat Boys, is considered by many to be the first hip-hop album to feature such an element as beatbox.

Одноимённый дебютный альбом группы 1984 года, The Fat Boys, по мнению многих, считается первым хип-хоп альбомом, на котором появился такой элемент как битбокс.

Also at the concert you will find many musical surprises, including a beatbox on the flute, various ethnic instruments, as well as the draw of the album «behind the mountains» and «60/70».

Также на концерте вас ждет множество музыкальных сюрпризов, среди которых — битбокс на флейте, различные этнические инструменты, а также розыгрыш альбомов «Там, за горами» и «60/70».

There he became known for his human beatbox skills and energetic live performances.

Там он приобрел известность благодаря своим навыкам битбокса и энергичным живым выступлениям.

The trio is widely known for using beatbox in their songs.

Трио широко известно за использование битбокса в своих песнях.

Tried to teach me how to beatbox that day.

В тот день он пытался научить меня битбоксу.

Beatbox is a new ultramodern trend in the music industry with a number of followers growing every year.

Битбокс — ультрасовременное направление в музыкальной индустрии, последователей которого с каждым годом становится все больше.

Original compositions by the trio are influenced by the sounds of jazz, hip-hop, beatbox and rock.

Оригинальные композиции трио сотворены под влиянием звуков джаза, битбокса хип-хопа и рока.

Human Beatbox is the art of making music with the mouth.

Битбокс — это искусство воспроизведения музыки ртом.

Outside the Beatbox Club, 2:00 in the morning.

У клуба «Битбокс» два часа ночи.

The Coca-Cola Beatbox invites visitors to get hands-on with its structure, which is made from over 200 touch-sensitive translucent air pillows.

Битбокс Coca-Cola приглашает посетителей дотронуться до своей конструкции, которая сделана из 200 срабатывающих на прикосновение прозрачных воздушных подушек.

Stuart first met Sarah on a street corner outside the Beatbox Club at 2am.

Стюарт впервые встретился с Сарой около клуба «Битбокс» на углу улицы, в 2 часа ночи.

Xander’s music however transcends the bounds of the beatbox artform, out of techniques and tricks into a sound with emotional and musical depth.

При этом музыка МС Xander выходит за пределы искусства битбокса, от техник и приемов к звуку, наполненному эмоциональной и музыкальной глубиной.

Joe Driscoll is a popular American rapper performing a fusion of hip-hop, beatbox, reggae and folk.

Джо Дрисколл — известный американский рэпер, исполняющий фьюжн хип-хопа, битбокса, регги и фолка.

Jessie J never fails when she sings, and she cannot only sing, but she can also beatbox and play with her voice in so many other ways.

Джесси Джей никогда не терпит неудачу, когда она поет, и она может не только петь, но также может играть в битбокс и играть своим голосом многими другими способами.

In addition, our university has provided entertainment program that included competitions (Scrabble, Name That Tune, Guess the computer game) and musical performances (beatbox, pop music).

Кроме того, наш вуз предоставил развлекательную программу, в которую входили конкурсы («Эрудит», «Угадай мелодию», «Угадай компьютерную игру») и музыкальные представления (Битбокс, поп-музыка).

EC: Beatbox started here in New York.

ЭК: Битбокс начался здесь, в Нью-Йорке.

The project combines the techniques of traditional theater, musical, circus, modern special effects, 3D images and video art, and the rhythm is set by hip-hop and beatbox.

Проект сочетает в себе приёмы традиционного театра, мюзикла, цирка, современные спецэффекты, 3D-изображения и видеоарт, а ритм действу задают хип-хоп и битбокс.

Being fans of early EBM music, Naghavi and Ruiz decided to follow in the footsteps of new wave/synthpop band Depeche Mode by using two keyboards and a beatbox.

Будучи фанатами раннего ЕВМ, Нагави и Руиз решили следовать по стопам New Wave/synthpop группы Depeche Mode, с использованием 2 клавишных и битбокса.

The evening program was presented by the dance group «The Young», and beatbox from «The Beez».

В программе вечера были представлены номера — танец от группы «The Young», битбокс от «The Beez».

Adam Rafferty has managed to bring something very personal into the fingerstyle guitar, which is beatbox.

Адаму Рафферти удалось привнести действительно что-то свое в фингерстайл-гитару, а именно — битбокс.

Ничего не найдено для этого значения.

Результатов: 77. Точных совпадений: 77. Затраченное время: 76 мс

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