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WALL-E
Theatrical release poster
Directed by	Andrew Stanton
Screenplay by	Andrew Stanton Jim Reardon
Story by	Andrew Stanton Pete Docter
Produced by	Jim Morris
Starring	Ben Burtt Elissa Knight Jeff Garlin Fred Willard John Ratzenberger Kathy Najimy Sigourney Weaver
Cinematography	Jeremy Lasky Danielle Feinberg
Edited by	Stephen Schaffer
Music by	Thomas Newman
Production companies	Walt Disney Pictures Pixar Animation Studios
Distributed by	Walt Disney Studios Motion Pictures
Release dates	June 23, 2008 (Greek Theatre) June 27, 2008 (United States)
Running time	97 minutes[1]
Country	United States
Language	English
Budget	$180 million[2]
Box office	$532.5 million[3] [4]

WALL-E (stylized with an interpunct as WALL·E) is a 2008 American computer-animated science fiction film^[5] produced by Pixar Animation Studios and released by Walt Disney Pictures. It was directed and co-written by Andrew Stanton, produced by Jim Morris, and co-written by Jim Reardon. It stars the voices of Ben Burtt, Elissa Knight, Jeff Garlin, John Ratzenberger, Kathy Najimy, with Sigourney Weaver and Fred Willard. The overall ninth feature film produced by the studio, WALL-E follows a solitary robot on a future, uninhabitable, deserted Earth in 2805, left to clean up garbage. He is visited by a probe sent by the starship Axiom, a robot called EVE, with whom he falls in love and pursues across the galaxy.

After directing Finding Nemo, Stanton felt Pixar had created believable simulations of underwater physics and was willing to direct a film set largely in space. WALL-E has minimal dialogue in its early sequences; many of the characters do not have voices, but instead communicate with body language and robotic sounds designed by Burtt. The film incorporates various topics including consumerism, corporatocracy, nostalgia, waste management, human environmental impact and concerns, obesity/sedentary lifestyles, and global catastrophic risk.^[6] It is also Pixar’s first animated film with segments featuring live-action characters. Thomas Newman composed the film’s musical score. The film cost $180 million to produce, a record-breaking sum for an animated film at the time. Following Pixar tradition, WALL-E was paired with a short film titled Presto for its theatrical release.

WALL-E was released in the United States on June 27, 2008. The film received critical acclaim for its animation, story, voice acting, characters, visuals, score, sound design, screenplay, use of minimal dialogue, and scenes of romance.^[7][8] It was also commercially successful, grossing $521.3 million worldwide and becoming the ninth-highest grossing film of 2008. It won the 2008 Golden Globe Award for Best Animated Feature Film, the 2009 Hugo Award for Best Long Form Dramatic Presentation,^[9] the final Nebula Award for Best Script,^[10] the Saturn Award for Best Animated Film and the Academy Award for Best Animated Feature with five additional Oscar nominations. It is considered by many critics as one of the best films of 2008,^[11][12] and to be among the greatest animated films ever made.^[13][14][15] The film topped Time‘s list of the «Best Movies of the Decade»,^[16] and in 2016 was voted 29th among 100 films considered the best of the 21st century by 117 film critics from around the world.^[17] It is now seen as one of the greatest films not just in animation, but one of the greatest films of all time and one of the greatest films of the 21st century.

In 2021, WALL-E became the second Pixar film (after Toy Story) to be selected for preservation in the United States National Film Registry by the Library of Congress as being «culturally, historically, or aesthetically significant».^[18] In September 2022, at the request of Andrew Stanton, Disney licensed WALL-E to The Criterion Collection, who re-released the film as a special edition 4K Blu-Ray-standard Blu-Ray combo pack on November 22, 2022, marking the first Pixar film to ever receive such an honor.^[19][20]

Plot[edit]

In the 22nd century, rampant consumerism, corporate greed, and environmental neglect had turned Earth into a garbage-strewn wasteland, and the megacorporation Buy n Large (BnL) had evacuated humanity to space on giant starliners, leaving trash compacting robots to clean up the planet. Seven hundred years later, in 2805, the cleanup has failed and the last remaining active robot, named Waste Allocation Load Lifter: Earth Class (WALL·E) has developed a personality. WALL·E is able to remain active by salvaging parts from other inactive robots and lives in a large truck designed to carry the robots.

One day, WALL·E’s routine of compressing trash and collecting interesting objects is broken by the arrival of an unmanned probe carrying an egg-shaped robot named Extraterrestrial Vegetation Evaluator (EVE) who is sent to scan the planet for signs of sustainable life. WALL·E is smitten by the sleek, otherworldly robot, and the two begin to connect, until EVE goes into standby mode when WALL·E shows her his most recent find: a living seedling. The probe ship eventually returns and collects EVE and the plant, with WALL·E clinging on. The probe ship then returns to its mothership, the starliner Axiom.

In the centuries since the Axiom left Earth, its passengers have degenerated into helpless obesity due to microgravity and laziness, with robots catering to their every whim. Even the Captain B. McCrea is used to sitting back while his robotic AI autopilot helm, nicknamed AUTO, pilots the ship. McCrea is unprepared to receive the positive probe response, but discovers that placing the plant in the ship’s Holo-Detector will trigger a hyperjump back to Earth so that humanity can begin recolonization. When McCrea inspects EVE’s storage compartment, the plant is missing, with EVE blaming WALL·E for its disappearance.

EVE is deemed faulty and taken to diagnostics. Mistaking the process for torture, WALL·E intervenes and inadvertently releases all the other faulty bots, causing him and EVE to be designated as rogues. Frustrated, EVE tries to send WALL·E home in an escape pod, but before she can, the two witness AUTO’s henchman GO-4 stowing the plant in a pod set to self-destruct, revealing that WALL·E did not steal the plant. WALL·E attempts to retrieve it, but is launched into space. EVE uses an emergency exit to chase after WALL·E, and witnesses the pod explode, although both he and the plant survive unscathed. He and EVE reconcile, celebrating with a dance in space around the Axiom.

EVE brings the plant back to McCrea, who watches her recordings of Earth, concluding that they can and must save it. However, AUTO reveals that it has been programmed with the secret no-return directive A113 issued after BnL CEO Shelby Forthright inaccurately declared that Earth could not be saved; AUTO had ordered GO-4 to dispose of the plant. When McCrea countermands the directive, AUTO and GO-4 mutiny, electrocuting WALL·E, forcefully putting EVE into standby, throwing them both down a garbage chute, and locking McCrea in his quarters. EVE (having been reactivated by a mouse-like robot) and WALL·E are nearly ejected into space with the ship’s refuse, but Microbe Obliterator (M-O), a cleaning robot who had been following WALL·E’s dirt trail across the ship, saves the two when he gets stuck when the gate closes, alerting the Waste Allocation Load Lifter: Axiom Class (WALL·A) garbage bots and prompting them to abort the ejection. As humans and robots help in securing the plant, McCrea and AUTO fight for control of the Axiom. AUTO crushes WALL·E using the Holo-Detector in a last-ditch attempt to keep the human passengers in space; McCrea eventually overpowers and deactivates AUTO by switching it to manual mode, and EVE successfully inserts the plant, initiating the hyperjump.

Arriving back on Earth, EVE repairs WALL·E, but finds that his memory and personality have been erased. Heartbroken, EVE gives WALL·E a goodbye «kiss», which restores him to his normal self. WALL·E and EVE reunite as the inhabitants of the Axiom take their first steps on Earth. The credits then show humans and robots rebuilding the Earth, and the humans lose weight and regain their former body structures. Humans and robots turn the ravaged planet into a paradise, and the plant grows into a mighty tree, which EVE and WALL·E rest beneath.

Cast[edit]

Voice cast[edit]

• Ben Burtt as WALL·E (Waste Allocation Load Lifter: Earth-Class),^[21] a compactor robot who has achieved sentience, he is the only one still functioning on Earth. He is a small mobile compactor box accompanied by his cockroach friend Hal. He collects trinkets from the garbage and displays them at his home, where he watches a video cassette of Hello, Dolly!, mimicking the dance sequences.
  • Burtt also voices M-O (Microbe-Obliterator), a cleaning robot.
• Elissa Knight as EVE (Extraterrestrial Vegetation Evaluator),^[21] a glossy white egg-shaped probe robot with blue LED eyes, whose directive is to verify the habitability of planets for humans. She moves using antigravity and is equipped with scanners, specimen storage, and a cannon which she is quick to use.
• Jeff Garlin as Captain B. McCrea, the captain of the Axiom.
• MacInTalk, the text-to-speech program for Apple Macintosh computers, is the voice of AUTO (pronounced Otto), the Axiom‘s villainous AI autopilot which handles command functions of the ship. Loyal only to directive A113, it is the only computer not influenced by WALL-E.
• John Ratzenberger and Kathy Najimy as John and Mary, who live on the Axiom, so dependent on their automatic services as to be oblivious to their surroundings. They are brought out of their trances by encounters with WALL-E.
• Sigourney Weaver as the Axiom‘s computer. Stanton joked to Weaver: «You realize you get to be ‘Mother’ now?»^[22][23] referring to the ship’s computer in the film Alien, starring Weaver.^[23]

Live-action cast[edit]

• Fred Willard as Shelby Forthright, owner of the Buy n Large Corporation and President of Earth. The only major live-action character, appearing only in videos recorded around the time of the Axiom‘s launch in the 22nd century. Forthright proposed the plan to evacuate Earth’s population then clean up the planet so they could return within five years. Discovering that Earth had become too toxic to support life, the cleanup and recolonization were abandoned. Forthright issued directive A113 preventing anyone from returning to Earth. As of 2023, Forthright is the only live-action character with a speaking role in any Pixar film.
• Michael Crawford and Marianne McAndrew appear in an archival recording performing «It Only Takes a Moment» from Hello, Dolly!.

Production[edit]

Writing[edit]

Andrew Stanton conceived WALL-E during a lunch with fellow writers John Lasseter, Pete Docter, and Joe Ranft in 1994. Toy Story was near completion and the writers brainstormed ideas for their next projects — A Bug’s Life, Monsters, Inc., and Finding Nemo—at this lunch. Stanton asked, «What if mankind had to leave Earth and somebody forgot to turn off the last robot?»^[22] Having struggled for many years with making the characters in Toy Story appealing, Stanton found his simple Robinson Crusoe-esque idea of a lonely robot on a deserted planet strong.^[25][26] Stanton made WALL·E a waste collector as the idea was instantly understandable, and because it was a low-status menial job that made him sympathetic.^[27] Stanton also liked the imagery of stacked cubes of garbage.^[28] He did not find the idea dark because having a planet covered in garbage was for him a childish imagining of disaster.^[29]

Stanton and Docter developed the film under the title of Trash Planet for two months in 1995, but they did not know how to develop the story and Docter chose to direct Monsters, Inc. instead.^[30][31] Stanton came up with the idea of WALL-E finding a plant, because his life as the sole inhabitant on a deserted world reminded Stanton of a plant growing among pavements.^[32] Before they turned their attention to other projects, Stanton and Lasseter thought about having WALL-E fall in love, as it was the necessary progression away from loneliness.^[29] Stanton started writing WALL-E again in 2002 while completing Finding Nemo.^[33] Stanton formatted his script in a manner reminiscent of Dan O’Bannon’s Alien. O’Bannon wrote his script in a manner Stanton found reminded him of haiku, where visual descriptions were done in continuous lines of a few words. Stanton wrote his robot «dialogue» conventionally, but placed them in brackets.^[26] In late 2003, Stanton and a few others created a story reel of the first twenty minutes of the film. Lasseter and Steve Jobs were impressed and officially began development,^[34] though Jobs stated he did not like the title, originally spelled «W.A.L.-E.«^[35]

While the first act of WALL-E «fell out of the sky» for Stanton,^[29] he had originally wanted aliens to plant EVE to explore Earth and the rest of the film was different. When WALL-E comes to the Axiom, he incites a Spartacus-style rebellion by the robots against the remnants of the human race, which were cruel alien Gels (completely devolved, gelatinous, boneless, legless, see-through, green creatures that resemble Jell-O). James Hicks, a physiologist, mentioned to Stanton the concept of atrophy and the effects prolonged weightlessness would have on humans living in space for an inordinately extended time period.^[22][36][37] Therefore, this was the inspiration of the humans degenerating into the alien Gels,^[38] and their ancestry would have been revealed in a Planet of the Apes-style ending.^[39] The Gels also spoke a made-up gibberish language, but Stanton scrapped this idea because he thought it would be too complicated for the audience to understand and they could easily be driven off from the storyline.^[40] The Gels had a royal family, who host a dance in a castle on a lake in the back of the ship, and the Axiom curled up into a ball when returning to Earth in this incarnation of the story.^[40] Stanton decided this was too bizarre and unengaging, and conceived humanity as «big babies».^[39] Stanton developed the metaphorical theme of the humans learning to stand again and «grow[ing] up»,^[39][41] wanting WALL-E and EVE’s relationship to inspire humanity because he felt few films explore how utopian societies come to exist.^[42] The process of depicting the descendants of humanity as the way they appear in the movie was slow. Stanton first decided to put a nose and ears on the Gels so the audience could recognize them. Eventually, fingers, legs, clothes, and other characteristics were added until they arrived at the concept of being fetus-like to allow the audience to see themselves in the characters.^[40]

In a later version of the film, AUTO comes to the docking bay to retrieve EVE’s plant. The film would have its first cutaway to the captain, but Stanton moved that as he found it too early to begin moving away from WALL·E’s point-of-view. As an homage to Get Smart,^[43] AUTO takes the plant and goes into the bowels of the ship into a room resembling a brain where he watches videos of Buy n Large’s scheme to clean up the Earth falling apart through the years. Stanton removed this to keep some mystery as to why the plant is taken from EVE. The captain appears to be unintelligent, but Stanton wanted him to just be unchallenged; otherwise he would have not been sympathetic.^[38] One example of how unintelligent the captain was depicted initially is that he was seen to wear his hat upside-down, only to fix it before he challenges AUTO. In the finished film, he merely wears it casually atop his head, tightening it when he really takes command of the Axiom.^[40]

Stanton also moved the moment where WALL-E reveals his plant (which he had snatched from the self-destructing escape pod) from producing it from a closet to immediately after his escape, as it made EVE happier and gave them stronger motivation to dance around the ship. Originally, EVE would have been electrocuted by AUTO, and then be quickly saved from ejection at the hands of the Waste Allocation Load Lifter: Axiom-class (WALL·A) robots, by WALL-E. He would have then revived her by replacing her power unit with a cigarette lighter he brought from Earth. Stanton reversed this following a 2007 test screening, as he wanted to show EVE replacing her directive of bringing the plant to the captain with repairing WALL-E, and it made WALL-E even more heroic if he held the holo-detector open despite being badly hurt.^[38] The idea of WALL-E losing his memory and personality came after the braintrust team abandoned a scene were EVE had been shot in her heart battery and WALL-E gave her his own battery instead.^[44] Stanton felt half the audience at the screening believed the humans would be unable to cope with living on Earth and would have died out after the film’s end. Jim Capobianco, director of the Ratatouille short film Your Friend the Rat, created an end credits animation that continued the story—and stylized in different artistic movements throughout history—to clarify an optimistic tone.^[45]

Design[edit]

WALL-E was the most complex Pixar production since Monsters, Inc. because of the world and the history that had to be conveyed.^[25] Whereas most Pixar films have up to 75,000 storyboards, WALL-E required 125,000.^[46] Production designer Ralph Eggleston wanted the lighting of the first act on Earth to be romantic, and that of the second act on the Axiom to be cold and sterile. During the third act, the romantic lighting is slowly introduced into the Axiom environment.^[22] Pixar studied Chernobyl and the city of Sofia to create the ruined world; art director Anthony Christov was from Bulgaria and recalled Sofia used to have problems storing its garbage.^[47][48] Eggleston bleached out the whites on Earth to make WALL-E feel vulnerable. The overexposed light makes the location look more vast. Because of the haziness, the cubes making up the towers of garbage had to be large, otherwise they would have lost shape (in turn, this helped save rendering time). The dull tans of Earth subtly become soft pinks and blues when EVE arrives. When WALL-E shows EVE all his collected items, all the lights he has collected light up to give an inviting atmosphere, like a Christmas tree. Eggleston tried to avoid the colors yellow and green so WALL-E—who was made yellow to emulate a tractor—would not blend into the deserted Earth, and to make the plant more prominent.^[49]

Stanton also wanted the lighting to look realistic and evoke the science fiction films of his youth. He thought that Pixar captured the physics of being underwater with Finding Nemo and so for WALL·E, he wanted to push that for air. While rewatching some of his favorite science fiction films, he realized that Pixar’s other movies had lacked the look of 70 mm film and its barrel distortion, lens flare, and racking focus.^[25] Producer Jim Morris invited Roger Deakins and Dennis Muren to advise on lighting and atmosphere. Muren spent several months with Pixar, while Deakins hosted one talk and was requested to stay on for another two weeks. Stanton said Muren’s experience came from integrating computer animation into live-action settings, while Deakins helped them understand not to overly complicate their camerawork and lighting.^[42] 1970s Panavision cameras were used to help the animators understand and replicate handheld imperfections like unfocused backgrounds in digital environments.^[22] The first lighting test included building a three-dimensional replica of WALL-E, filming it with a 70 mm camera, and then trying to replicate that in the computer.^[50] Stanton cited the shallow lens work of Gus Van Sant’s films as an influence, as it created intimacy in each close-up. Stanton chose angles for the virtual cameras that a live-action filmmaker would choose if filming on a set.^[29]

Stanton wanted the Axiom‘s interior to resemble Shanghai and Dubai.^[25] Eggleston studied 1960s NASA paintings and the original concept art for Tomorrowland for the Axiom, to reflect that era’s sense of optimism.^[22] Stanton remarked «We are all probably very similar in our backgrounds here [at Pixar] in that we all miss the Tomorrowland that was promised us from the heyday of Disneyland,» and wanted a «jet pack» feel.^[25] Pixar also studied the Disney Cruise Line and visited Las Vegas, which was helpful in understanding artificial lighting.^[22] Eggleston based his Axiom designs on the futuristic architecture of Santiago Calatrava. Eggleston divided the inside of the ship into three sections; the rear’s economy class has a basic gray concrete texture with graphics keeping to the red, blue, and white of the BnL logo. The coach class with living/shopping spaces has «S» shapes as people are always looking for «what’s around the corner». Stanton intended to have many colorful signs, but he realized this would overwhelm the audience and went with Eggleston’s original idea of a small number of larger signs. The premier class is a large Zen-like spa with colors limited to turquoise, cream, and tan, and leads on to the captain’s warm carpeted and wooded quarters and the sleek dark bridge.^[49] In keeping with the artificial Axiom, camera movements were modeled after those of the steadicam.^[51]

The use of live action was a stepping stone for Pixar, as Stanton was planning to make John Carter of Mars his next project.^[25] Storyboarder Derek Thompson noted introducing live action meant that they would make the rest of the film look even more realistic.^[52] Eggleston added that if the historical humans had been animated and slightly caricaturized, the audience then would not have been able to recognize how serious their devolution was.^[49] Stanton cast Fred Willard as the historical Buy n Large CEO because «[h]e’s the most friendly and insincere car salesman I could think of.»^[39] The CEO says «stay the course», which Stanton used because he thought it was funny.^[53] Industrial Light & Magic did the visual effects for these shots.^[22]

Animation[edit]

WALL·E went undeveloped during the 1990s partly because Stanton and Pixar were not confident enough yet to have a feature-length film with a main character that behaved like Luxo Jr., the Pixar lamp or R2-D2.^[26] Stanton explained there are two types of robots in cinema: «human[s] with metal skin», like the Tin Man, or «machine[s] with function» like Luxo and R2. He found the latter idea «powerful» because it allowed the audience to project personalities onto the characters, as they do with babies and pets: «You’re compelled … you almost can’t stop yourself from finishing the sentence ‘Oh, I think it likes me! I think it’s hungry! I think it wants to go for a walk!'»^[54] He added, «We wanted the audience to believe they were witnessing a machine that has come to life.»^[22] The animators visited recycling stations to study machinery, and also met robot designers, visited NASA’s Jet Propulsion Laboratory to study robots, watched a recording of a Mars rover,^[33] and borrowed a bomb detecting robot from the San Francisco Police Department. Simplicity was preferred in their performances as giving them too many movements would make them feel human.^[22]

Stanton wanted WALL·E to be a box and EVE to be like an egg.^[55] WALL·E’s eyes were inspired by a pair of binoculars Stanton was given when watching the Oakland Athletics play against the Boston Red Sox. He «missed the entire inning» because he was distracted by them.^[56] The director was reminded of Buster Keaton and decided the robot would not need a nose or mouth.^[57] Stanton added a zoom lens to make WALL-E more sympathetic.^[57] Ralph Eggleston noted this feature gave the animators more to work with and gave the robot a childlike quality.^[49] Pixar’s studies of trash compactors during their visits to recycling stations inspired his body.^[22] His tank treads were inspired by a wheelchair someone had developed that used treads instead of wheels.^[55] The animators wanted him to have elbows, but realized this was unrealistic because he is only designed to pull garbage into his body.^[22] His arms also looked flimsy when they did a test of him waving.^[55] Animation director Angus MacLane suggested they attach his arms to a track on the sides of his body to move them around, based on the inkjet printers his father designed. This arm design contributed to creating the character’s posture, so if they wanted him to be nervous, they would lower them.^[58] Stanton was unaware of the similarities between WALL-E and Johnny 5 from Short Circuit until others pointed it out to him.^[26]

Stanton wanted EVE to be at the higher end of technology, and asked iPod designer Jonathan Ive to inspect her design. He was very impressed.^[25] Her eyes are modelled on Lite-Brite toys,^[57] but Pixar chose not to make them overly expressive as it would be too easy to have her eyes turn into hearts to express love or something similar.^[55] Her limited design meant the animators had to treat her like a drawing, relying on posing her body to express emotion.^[22] They also found her similar to a manatee or a narwhal because her floating body resembled an underwater creature.^[55] Auto was a conscious homage to HAL 9000 from 2001: A Space Odyssey,^[26] and the usage of Also sprach Zarathustra for the showdown between Captain McCrea and Auto furthers that.^[59] The manner in which he hangs from a wall or ceiling gives him a threatening feel, like a spider.^[60] Originally, Auto was designed entirely differently, resembling EVE, but masculine and authoritative and SECUR-T was also a more aggressive patrol steward robot.^[38] The majority of the robot cast were formed with the Build-a-bot program, where different heads, arms and treads were combined in over a hundred variations.^[22] The humans were modelled on sea lions due to their blubbery bodies,^[49] as well as babies. The filmmakers noticed baby fat is a lot tighter than adult fat and copied that texture for the film’s humans.^[61]

To animate their robots, the film’s story crew and animation crew watched a Keaton and a Charlie Chaplin film every day for almost a year, and occasionally a Harold Lloyd picture.^[26] Afterwards, the filmmakers knew all emotions could be conveyed silently. Stanton cited Keaton’s «great stone face» as giving them perseverance in animating a character with an unchanging expression.^[57] As he rewatched these, Stanton felt that filmmakers—since the advent of sound—relied on dialogue too much to convey exposition.^[26] The filmmakers dubbed the cockroach WALL-E keeps as a pet «Hal», in reference to silent film producer Hal Roach (as well as being an additional reference to HAL 9000).^[22] They also watched 2001: A Space Odyssey, The Black Stallion and Never Cry Wolf, films that had sound but were not reliant on dialogue.^[52] Stanton acknowledged Silent Running as an influence because its silent robots were a forerunner to the likes of R2-D2,^[42] and that the «hopeless romantic» Woody Allen also inspired WALL-E.^[30]

Sound[edit]

Producer Jim Morris recommended Ben Burtt as sound designer for WALL-E because Stanton kept using R2-D2 as the benchmark for the robots.^[43] Burtt had completed Star Wars: Episode III – Revenge of the Sith and told his wife he would no longer work on films with robots, but found WALL-E and its substitution of voices with sound «fresh and exciting».^[22] He recorded 2,500 sounds for the film, which was twice the average number for a Star Wars film,^[33] and a record in his career.^[22] Burtt began work in 2005,^[62] and experimented with filtering his voice for two years.^[63] Burtt described the robot voices as «like a toddler … universal language of intonation. ‘Oh’, ‘Hm?’, ‘Huh!’, you know?»^[64]

During production Burtt had the opportunity to look at the items used by Jimmy MacDonald, Disney’s in-house sound designer for many of their classic films. Burtt used many of MacDonald’s items on WALL-E. Because Burtt was not simply adding sound effects in post-production, the animators were always evaluating his new creations and ideas, which Burtt found an unusual experience.^[65] He worked in sync with the animators, returning their animation after adding the sounds to give them more ideas.^[22] Burtt would choose scientifically accurate sounds for each character, but if he could not find one that worked, he would choose a dramatic and unrealistic noise.^[65] Burtt would find hundreds of sounds by looking at concept art of characters, before he and Stanton pared it down to a distinct few for each robot.^[25]

Burtt saw a hand-cranked electrical generator while watching Island in the Sky, and bought an identical, unpacked device from 1950 on eBay to use for WALL·E moving around.^[66] Burtt also used an automobile self-starter for when WALL·E goes fast,^[65] and the sound of cars being wrecked at a demolition derby provided for WALL·E’s compressing trash in his body.^[67] The Macintosh computer chime was used to signify when WALL-E has fully recharged his battery. For EVE, Burtt wanted her humming to have a musical quality.^[65] Burtt was only able to provide neutral or masculine voices, so Pixar employee Elissa Knight was asked to provide her voice for Burtt to electronically modify. Stanton deemed the sound effect good enough to properly cast her in the role.^[53] Burtt recorded a flying 10-foot-long (3.0 m) radio-controlled jet plane for EVE’s flying,^[22] and for her plasma cannon, Burtt hit a slinky hung from a ladder with a timpani stick. He described it as a «cousin» to the blaster noise from Star Wars.^[68]

MacInTalk was used because Stanton «wanted Auto to be the epitome of a robot, cold, zeros & ones, calculating, and soulless [and] Stephen Hawking’s kind of voice I thought was perfect.»^[42] Additional sounds for the character were meant to give him a clockwork feel, to show he is always thinking and calculating.^[65]

Burtt had visited Niagara Falls in 1987 and used his recordings from his trip for the sounds of wind,^[67] and ran around a hall with a canvas bag up to record the sandstorm.^[22] For the scene where WALL-E flees from falling shopping carts, Burtt and his daughter went to a supermarket and placed a recorder in their cart. They crashed it around the parking lot and then let it tumble down a hill.^[69] To create Hal (WALL-E’s pet cockroach)’s skittering, he recorded the clicking caused by taking apart and reassembling handcuffs.^[22]

Music[edit]

Thomas Newman recollaborated with Stanton on WALL-E since the two got along well on Finding Nemo, which gave Newman the Annie Award for Best Music in an Animated Feature. He began writing the score in 2005, in the hope that starting this task early would make him more involved with the finished film. But, Newman remarked that animation is so dependent on scheduling he should have begun work earlier on when Stanton and Reardon were writing the script. EVE’s theme was arranged for the first time in October 2007. Her theme when played as she first flies around Earth originally used more orchestral elements, and Newman was encouraged to make it sound more feminine.^[70] Newman said Stanton had thought up many ideas for how he wanted the music to sound, and he generally followed them as he found scoring a partially silent film difficult. Stanton wanted the whole score to be orchestral, but Newman felt limited by this idea especially in scenes aboard the Axiom, and used electronics too.^[71]

Stanton originally wanted to juxtapose the opening shots of space with 1930s French swing music, but changed his mind after seeing The Triplets of Belleville (2003), not wanting to appear as if he were copying it.^[72] Stanton then thought about the song «Put On Your Sunday Clothes» from Hello, Dolly!, since he had portrayed the sidekick Barnaby Tucker in a 1980 high school production.^[73] Stanton found that the song was about two naive young men looking for love, which was similar to WALL-E’s own hope for companionship. Jim Reardon, storyboard supervisor for the film, suggested WALL-E find the film on video, and Stanton included «It Only Takes a Moment» and the clip of the actors holding hands, because he wanted a visual way to show how WALL-E understands love and conveys it to EVE. Hello, Dolly! composer Jerry Herman allowed the songs to be used without knowing what for; when he saw the film, he found its incorporation into the story «genius».^[72] Coincidentally, Newman’s uncle Lionel worked on Hello, Dolly!^[22]

Newman travelled to London to compose the end credits song «Down to Earth» with Peter Gabriel, who was one of Stanton’s favorite musicians. Afterwards, Newman rescored some of the film to include the song’s composition, so it would not sound intrusive when played.^[22] Louis Armstrong’s rendition of «La Vie en rose» was used for a montage where WALL-E attempts to impress EVE on Earth. The script also specified using Bing Crosby’s «Stardust» for when the two robots dance around the Axiom,^[24] but Newman asked if he could score the scene himself. A similar switch occurred for the sequence in which WALL-E attempts to wake EVE up through various means; originally, the montage would play with the instrumental version of «Raindrops Keep Fallin’ on My Head», but Newman wanted to challenge himself and scored an original piece for the sequence.

Themes[edit]

The film is recognized as social criticism. Katherine Ellison asserts that «Americans produce nearly 400 million tons of solid waste per year but recycle less than a third of it, according to a recent Columbia University study.» Landfills were filling up very rapidly worldwide, and predictions were made that the UK could run out of landfill space by 2017.^[75]

Environment, waste, and nostalgia[edit]

In the DVD commentary, Stanton said that he has been asked if it was his intention to make a movie about consumerism. His answer was it was not; it was a way to answer the question of how would the Earth get to the state where one robot would be left to continue the cleanup by itself. Nevertheless, some critics have noted an incongruity between the perceived pro-environmental and anti-consumerist messaging of the film, and the environmental impacts in the production and merchandising of the film.^[76]

In «WALL-E: from environmental adaption to sentimental nostalgia,» Robin Murray and Joseph Heumann explain the important theme of nostalgia in this film. Nostalgia is clearly represented by human artifacts, left behind, that WALL-E collects and cherishes, for example Zippo lighters, hubcaps, and plastic sporks. These modern items that are used out of necessity are made sentimental through the lens of the bleak future of Earth. Nostalgia is also expressed through the musical score, as the film opens with a camera shot of outer space that slowly zooms into a waste filled Earth while playing «Put on Your Sunday Clothes», reflecting on simpler and happier times in human history. This film also expresses nostalgia through the longing of nature and the natural world, as it is the sight and feeling of soil, and the plant brought back to the space ship by EVE, that make the captain decide it is time for humans to move back to Earth. WALL-E expresses nostalgia also, by reflecting on romantic themes of older Disney and silent films.^[6]

Stanton describes the theme of the film as «irrational love defeats life’s programming»:^[39]

I realized the point I was trying to push with these two programmed robots was the desire for them to try and figure out what the point of living was … It took these really irrational acts of love to sort of discover them against how they were built … I realized that that’s a perfect metaphor for real life. We all fall into our habits, our routines and our ruts, consciously or unconsciously to avoid living. To avoid having to do the messy part. To avoid having relationships with other people or dealing with the person next to us. That’s why we can all get on our cell phones and not have to deal with one another. I thought, ‘That’s a perfect amplification of the whole point of the movie.’ I wanted to run with science in a way that would sort of logically project that.^[39]

Technology[edit]

Stanton noted many commentators placed emphasis on the environmental aspect of humanity’s complacency in the film, because «that disconnection is going to be the cause, indirectly, of anything that happens in life that’s bad for humanity or the planet».^[77] Stanton said that by taking away effort to work, the robots also take away humanity’s need to put effort into relationships.^[60] Christian journalist Rod Dreher saw technology as the complicated villain of the film. The humans’ artificial lifestyle on the Axiom has separated them from nature, making them «slaves of both technology and their own base appetites, and have lost what makes them human». Dreher contrasted the hardworking, dirt covered WALL-E with the sleek clean robots on the ship. However, it is the humans and not the robots who make themselves redundant. Humans on the ship and on Earth have overused robots and the ultra-modern technology. During the end credits, humans and robots are shown working alongside each other to renew the Earth. «WALL·E is not a Luddite film,» he said. «It doesn’t demonize technology. It only argues that technology is properly used to help humans cultivate their true nature—that it must be subordinate to human flourishing, and help move that along.»^[78]

Religion[edit]

Stanton, who is a Christian,^[27] named EVE after the Biblical figure because WALL-E’s loneliness reminded him of Adam, before God created his wife.^[79] Dreher noted EVE’s biblical namesake and saw her directive as an inversion of that story; EVE uses the plant to tell humanity to return to Earth and move away from the «false god» of BnL and the lazy lifestyle it offers. In cohesion with the classical Christian viewpoint, WALL-E shows that work is what makes humans human. Whereas other sources would say that laziness and pleasure is paradise, WALL-E tries to show that that is not true. Dreher emphasized the false god parallels to BnL in a scene where a robot teaches infants «B is for Buy n Large, your very best friend», which he compared to modern corporations such as McDonald’s creating brand loyalty in children.^[78] Megan Basham of World magazine felt the film criticizes the pursuit of leisure, whereas WALL-E in his stewardship learns to truly appreciate God’s creation.^[27]

During writing, a Pixar employee noted to Jim Reardon that EVE was reminiscent of the dove with the olive branch from the story of Noah’s Ark, and the story was reworked with EVE finding a plant to return humanity from its voyage.^[80] WALL-E himself has been compared to Prometheus,^[43] Sisyphus,^[78] and Butades: in an essay discussing WALL-E as representative of the artistic strive of Pixar itself, Hrag Vartanian compared WALL-E to Butades in a scene where the robot expresses his love for EVE by making a sculpture of her from spare parts. «The Ancient Greek tradition associates the birth of art with a Corinthian maiden who longing to preserve her lover’s shadow traces it on the wall before he departed for war. The myth reminds us that art was born out of longing and often means more for the creator than the muse. In the same way Stanton and his Pixar team have told us a deeply personal story about their love of cinema and their vision for animation through the prism of all types of relationships.»^[81]

Release[edit]

WALL-E premiered at the Greek Theatre in Los Angeles on June 23, 2008.^[82] Continuing a Pixar tradition, the film was paired with a short film for its theatrical release, Presto. The film is dedicated to Justin Wright (1981–2008), a Pixar animator who had worked on Ratatouille and died of a heart attack before WALL-E‘s release.^[22]

Walt Disney Imagineering (WDI) built animatronic WALL-Es to promote the picture, which made appearances at Disneyland Resort,^[83] the Franklin Institute, the Miami Science Museum, the Seattle Center, and the Tokyo International Film Festival.^[84] Due to safety concerns, the 318 kg robots were always strictly controlled and WDI always needed to know exactly what they were required to interact with. For this reason, they generally refused to have their puppets meet and greet children at the theme parks in case a WALL-E trod on a child’s foot. Those who wanted to take a photograph with the character had to make do with a cardboard cutout.^[85]

The film was denied a theatrical release in China.^[86]

In 2016, Jim Morris noted that the studio has no plans for a sequel, as they consider WALL-E a finished story with no need for continuation.^[87]

Merchandise[edit]

Small quantities of merchandise were sold for WALL-E, as Cars items were still popular, and many manufacturers were more interested in Speed Racer, which was a successful product line despite the film’s failure at the box office. Thinkway, which created the WALL·E toys, had previously made Toy Story dolls when other toy producers had not shown an interest.^[84] Among Thinkway’s items were a WALL-E that danced when connected to a music player, a toy that could be taken apart and reassembled, and a groundbreaking remote control toy of him and EVE that had motion sensors that allowed them to interact with players.^[88] There were even plushies.^[89] The «Ultimate WALL-E» figures were not in stores until the film’s home release in November 2008,^[84] at a retail price of almost $200, leading The Patriot-News to deem it an item for «hard-core fans and collectors only».^[88] On February 4, 2015, Lego announced that a WALL-E custom built by lead animator Angus MacLane was the latest design approved for mass production and release as part of Lego Ideas.^[90]

Home media[edit]

The film was released on Blu-ray Disc and DVD by Walt Disney Studios Home Entertainment on November 18, 2008. Various editions include the short film Presto, another short film BURN-E, the Leslie Iwerks documentary film The Pixar Story, shorts about the history of Buy n Large, behind-the-scenes special features, and a digital copy of the film that can be played through iTunes or Windows Media Player-compatible devices.^[91] This release sold 9,042,054 DVD units ($142,633,974) in total becoming the second-best-selling animated DVD among those released in 2008 in units sold (behind Kung Fu Panda), the best-selling animated feature in sales revenue, and the third-best-selling among all 2008 DVDs.^[92]

WALL-E was released in Japan in a limited edition Blu-ray box set, which included a book featuring artwork from the film, a framed print, and a remote control version of Wall-E. This edition is now discontinued.

WALL-E was released by Disney on 4K Blu-ray on March 3, 2020.^[93]

At the request of Stanton, Disney licensed WALL-E to The Criterion Collection in September of 2022, who created a special 4K Blu-ray-Blu-ray combo edition of the film that was released on November 22, 2022, featuring the same 4K digital master used for Disney’s original 4K Blu-ray release, but now presented in Dolby Vision and HDR10+ as approved by Stanton, along with additional special features. This makes it the first Pixar feature, and Disney’s eighth feature to be released under the Criterion umbrella. In its description for the release, Criterion viewed the film as an important work of both the animation medium and of cinema itself, saying that while «Transporting us simultaneously back to cinema’s silent origins and light-years into the future, WALL-E is a soaring ode to the power of love and art to heal a dying world.»^[94][95][96]

Reception[edit]

Box office[edit]

WALL-E grossed $223.8 million in the United States and Canada and $308.7 million overseas, for a worldwide total of $532.5 million,^[3] making it the ninth-highest-grossing film of 2008.^[97]

In the US and Canada, WALL-E opened in 3,992 theaters on June 27, 2008.^[98] The film grossed $23.1 million on its opening day, the highest of all nine Pixar titles to date.^[99] During its opening weekend, it topped the box office with $63,087,526.^[98] This was the third-best opening weekend for a Pixar film after Finding Nemo and The Incredibles, and the second-best opening weekend among films released in June, behind Harry Potter and the Prisoner of Azkaban.^[99] The film grossed $38 million the following weekend, losing its first place to Hancock.^[100] WALL-E crossed the $200 million mark by August 3, during its sixth weekend.^[101]

WALL-E grossed over $10 million in Japan ($44,005,222), UK, Ireland and Malta ($41,215,600), France and the Maghreb region ($27,984,103), Germany ($24,130,400), Mexico ($17,679,805), Spain ($14,973,097), Australia ($14,165,390), Italy ($12,210,993), and Russia and the CIS ($11,694,482).^[102]

Critical response[edit]

The American Film Institute named WALL-E as one of the best films of 2008;^[103] the jury rationale states:

WALL•E proves to this generation and beyond that the film medium’s only true boundaries are the human imagination. Writer/director Andrew Stanton and his team have created a classic screen character from a metal trash compactor who rides to the rescue of a planet buried in the debris that embodies the broken promise of American life. Not since Chaplin’s «Little Tramp» has so much story—so much emotion—been conveyed without words. When hope arrives in the form of a seedling, the film blossoms into one of the great screen romances as two robots remind audiences of the beating heart in all of us that yearns for humanity—and love—in the darkest of landscapes.

On Rotten Tomatoes, the film holds a 95% approval rating based on 260 reviews, with an average score of 8.6/10. The website’s critical consensus reads, «Wall-E‘s stellar visuals testify once again to Pixar’s ingenuity, while its charming star will captivate younger viewers—and its timely story offers thought-provoking subtext.»^[104] At Metacritic, which assigns a normalized rating to reviews from mainstream critics, the film has an average score of 95 out of 100 based on 39 reviews, indicating «universal acclaim».^[105] Audiences polled by CinemaScore gave the film an average rating of «A» on an A+ to F scale.^[106]

IndieWire named WALL-E the third-best film of the year based on their annual survey of 100 film critics, while Movie City News shows that WALL-E appeared in 162 different top 10 lists, out of 286 different critics lists surveyed, the most mentions on a top 10 list of any film released in 2008.^[107]

Richard Corliss of Time named WALL-E his favorite film of 2008 (and later of the decade), noting the film succeeded in «connect[ing] with a huge audience» despite the main characters’ lack of speech and «emotional signifiers like a mouth, eyebrows, shoulders, [and] elbows». It «evoke[d] the splendor of the movie past» and he also compared WALL-E and EVE’s relationship to the chemistry of Spencer Tracy and Katharine Hepburn.^[108] Other critics who named WALL-E their favorite film of 2008 included Tom Charity of CNN,^[109] Michael Phillips of the Chicago Tribune, Lisa Schwarzbaum of Entertainment Weekly, A. O. Scott of The New York Times, Christopher Orr of The New Republic, Ty Burr and Wesley Morris of The Boston Globe, Joe Morgenstern of The Wall Street Journal, and Anthony Lane of The New Yorker.^[110]

Todd McCarthy of Variety called the film «Pixar’s ninth consecutive wonder», saying it was imaginative yet straightforward. He said it pushed the boundaries of animation by balancing esoteric ideas with more immediately accessible ones, and that the main difference between the film and other science fiction projects rooted in an apocalypse was its optimism.^[111] Kirk Honeycutt of The Hollywood Reporter declared that WALL-E surpassed the achievements of Pixar’s previous eight features and probably their most original film to date. He said it had the «heart, soul, spirit and romance» of the best silent films. Honeycutt said the film’s definitive stroke of brilliance was in using a mix of archive film footage and computer graphics to trigger WALL·E’s romantic leanings. He praised Burtt’s sound design, saying «If there is such a thing as an aural sleight of hand, this is it.»^[112]

Roger Ebert of the Chicago Sun-Times named WALL-E «an enthralling animated film, a visual wonderment, and a decent science-fiction story» and said the scarcity of dialogue would allow it to «cross language barriers» in a manner appropriate to the global theme, and noted it would appeal to adults and children. He praised the animation, describing the color palette as «bright and cheerful … and a little bit realistic», and that Pixar managed to generate a «curious» regard for the WALL·E, comparing his «rusty and hard-working and plucky» design favorably to more obvious attempts at creating «lovable» lead characters. He said WALL-E was concerned with ideas rather than spectacle, saying it would trigger stimulating «little thoughts for the younger viewers.»^[113] He named it as one of his twenty favorite films of 2008 and argued it was «the best science-fiction movie in years».^[114]

The film was interpreted as tackling a topical, ecologically-minded agenda,^[104] though McCarthy said it did so with a lightness of touch that granted the viewer the ability to accept or ignore the message.^[111] Kyle Smith of the New York Post, wrote that by depicting future humans as «a flabby mass of peabrained idiots who are literally too fat to walk», WALL-E was darker and more cynical than any major Disney feature film he could recall. He compared the humans to the patrons of Disney’s theme parks and resorts, adding, «I’m also not sure I’ve ever seen a major corporation spend so much money to issue an insult to its customers.»^[115] Maura Judkis of U.S. News & World Report questioned whether this depiction of «frighteningly obese humans» would resonate with children and make them prefer to «play outside rather than in front of the computer, to avoid a similar fate».^[116] The interpretation led to criticism of the film by conservative commentators such as Glenn Beck, and contributors to National Review Online including Shannen W. Coffin and Jonah Goldberg (although he admitted it was a «fascinating» and occasionally «brilliant» production).^{[117][failed verification]}

A few notable critics have argued that the film is vastly overrated,^[118] claiming it failed to «live up to such blinding, high-wattage enthusiasm»,^[119] and that there were «chasms of boredom watching it», in particular «the second and third acts spiraled into the expected».^[120] Other labels included «preachy»^[118] and «too long».^[119] Child reviews sent into CBBC were mixed, some citing boredom and an inadequate storyline.^[121]

Patrick J. Ford of The American Conservative said WALL-E‘s conservative critics missed lessons in the film that he felt appealed to traditional conservatism. He argued that the mass consumerism in the film was not shown to be a product of big business, but of too close a tie between big business and big government: «The government unilaterally provided its citizens with everything they needed, and this lack of variety led to Earth’s downfall.» Responding to Coffin’s claim that the film points out the evils of mankind, Ford argued the only evils depicted were those that resulted from losing touch with our own humanity and that fundamental conservative representations such as the farm, the family unit, and wholesome entertainment were in the end held aloft by the human characters. He concluded, «By steering conservative families away from WALL-E, these commentators are doing their readers a great disservice.»^[122]

Director Terry Gilliam praised the film as «A stunning bit of work. The scenes on what was left of planet Earth are just so beautiful: one of the great silent movies. And the most stunning artwork! It says more about ecology and society than any live-action film—all the people on their loungers floating around, brilliant stuff. Their social comment was so smart and right on the button.»^[123]

Archaeologists have commented on the themes of human evolution that the film explores.^[124] Ben Marwick has written how the character of WALL-E resembles an archaeologist with his methodical collection and classification of quotidian human artefacts. He is shown facing a typological dilemma of classifying a spork as either a fork or spoon, and his nostalgic interest in the human past further demonstrated by his attachment to repeated viewings of the 1969 film Hello, Dolly!. Marwick notes that the film features major human evolutionary transitions such as obligate bipedalism (captain of the spaceship struggles with the autopilot to gain control of the vessel) and the invention of agriculture, as part of watershed moments in the story of the film. According to Marwick, one prominent message of the film «appears to be that the envelopment by technology that the humans in Wall-E experience paradoxically results in physical and cultural devolution.» Scholars such as Ian Tattersall and Steve Jones have similarly discussed scenarios where elements of modern technology (such as medicine) may have caused human evolution to slow or stop.

In 2021, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being «culturally, historically, or aesthetically significant».^[18]

Accolades[edit]

WALL-E won the Academy Award for Best Animated Feature and was nominated for Best Original Screenplay, Best Original Score, Best Original Song, Sound Editing, and Sound Mixing at the 81st Academy Awards, which it lost to Slumdog Millionaire (Original Score, Original Song, Sound Mixing), The Dark Knight (Sound Editing), and Milk (Original Screenplay).^[125][126] Walt Disney Pictures also pushed for an Academy Award for Best Picture nomination,^[127] but it was not nominated, sparking controversy over whether the Academy deliberately restricted WALL-E to the Best Animated Feature category.^[128] Film critic Peter Travers remarked, «If there was ever a time where an animated feature deserved to be nominated for best picture it’s Wall-E.»^[129] Only three animated films, 1991’s Beauty and the Beast and Pixar’s next two films, 2009’s Up and 2010’s Toy Story 3, have ever been nominated for the Academy Award for Best Picture. A reflective Stanton stated he was not disappointed the film was restricted to the Best Animated Film nomination because he was overwhelmed by the film’s positive reception, and eventually «The line [between live-action and animation] is just getting so blurry that I think with each proceeding year, it’s going to be tougher and tougher to say what’s an animated movie and what’s not an animated movie.»^[32]

WALL-E made a healthy appearance at the various 2008 end-of-the-year awards circles, particularly in the Best Picture category, where animated films are often overlooked. It has won the award, or the equivalent of it, from the Boston Society of Film Critics (tied with Slumdog Millionaire),^[130] the Chicago Film Critics Association,^[131] the Central Ohio Film Critics awards,^[132] the Online Film Critics Society,^[133] and most notably the Los Angeles Film Critics Association, where it became the first animated feature to win the prestigious award.^[134] It was named as one of 2008’s ten best films by the American Film Institute and the National Board of Review of Motion Pictures.^[135][136]

It won Best Animated Feature Film at the 66th Golden Globe Awards, 81st Academy Awards, and the Broadcast Film Critics Association Awards 2008.^[137][138] It was nominated for several awards at the 2009 Annie Awards, including Best Feature Film, Animated Effects, Character Animation, Direction, Production design, Storyboarding and Voice acting (for Ben Burtt);^{[citation needed]} but was beaten out by Kung Fu Panda in every category.^[139] It won Best Animated Feature at the 62nd British Academy Film Awards and was also nominated there for Best Music and Sound.^[140] Thomas Newman and Peter Gabriel won two Grammy Awards for «Down to Earth» and «Define Dancing».^[141] It won all three awards it was nominated for by the Visual Effects Society: Best Animation, Best Character Animation (for WALL-E and EVE in the truck) and Best Effects in the Animated Motion Picture categories.^[142] It became the first animated film to win Best Editing for a Comedy or Musical from the American Cinema Editors.^[143] In 2009, Stanton, Reardon, and Docter won the Nebula Award, beating The Dark Knight and the Stargate Atlantis episode «The Shrine».^[144][145] It won Best Animated Film and was nominated for Best Director at the Saturn Awards.^[146]

At the British National Movie Awards, which is voted for by the public, it won Best Family Film.^[147] It was also voted Best Feature Film at the British Academy Children’s Awards.^[148] WALL-E was listed at #63 on Empire‘s online poll of the 100 greatest movie characters, conducted in 2008.^[149] In early 2010, Time ranked WALL-E #1 in «Best Movies of the Decade».^[16] In Sight & Sound magazine’s 2012 poll of the greatest films of all time, WALL-E is the second-highest-ranking animated film behind My Neighbor Totoro (1988), while tying with the film Spirited Away (2001) at 202nd overall.^[150] In a 2016 BBC poll of international critics, it was voted the 29th-greatest film since 2000.^[17]

Robotic recreations[edit]

In 2012, Mike McMaster,^[151] an American robotics hobbyist, began working on his own model of WALL·E. The final product was built with more moving parts than the WALL·E which roams around Disneyland. McMaster’s four-foot robot made an appearance at the Walt Disney Family Museum and was featured during the opening week of Tested.com^[152] a project headed up by Jamie Hyneman and Adam Savage of MythBusters. Since WALL-E’s creation, Mike and the popular robot have made dozens of appearances at various events.^[153]

In the same year, Mike Senna completed his own WALL·E build.^[154] He also created an EVE. They were present at a photo op at Disney’s D23 Expo 2015.^[155]

See also[edit]

• Robots (2005 film)
• Mars Cube One, consisting of two nanospacecraft, MarCO-A and MarCO-B, which are nicknamed WALL-E and EVE

References[edit]

Further reading[edit]

External links[edit]

• Official website
• WALL-E at IMDb
• WALL-E at the TCM Movie Database
• WALL-E at The Big Cartoon DataBase
• WALL-E at AllMovie

ВАЛЛ-И
WALL-E
Сокращения	WALL-E
Жанры	фантастика, комедия, семейный
Мультфильм:
Компания	Walt Disney Pictures Pixar Animation Studios
Режиссёр	Эндрю Стэнтон
Продюсер	Джим Моррис Джон Лассетер
Сценарий	Эндрю Стэнтон Пит Доктер
Роли озвучивали	Бен Бёртт Элисса Найт Джефф Гарлин Сигурни Уивер Фред Уиллард Джон Ратценбергер Кэти Наджими
Музыка	Томас Ньюман Питер Гэбриел (песня)
Аниматоры
Страна	США
Премьера	27 июня 2008 (США) 3 июля 2008 (Россия) 18 июля 2008 (Великобритания) 11 сентября 2008 (Австралия) 5 декабря 2008 (Япония)
Длительность	98 мин[1]
Бюджет	180 млн $[2]
Страница IMDb
Страница BCdb
[ [Аниматор.ру]]]

«ВА́ЛЛ-И» (англ. WALL-E) — компьютерный анимационный, научно-фантастический фильм 2008 года, созданный Pixar Animation Studios. Премьера фильма состоялась 23 июня 2008 года в США, а релиз в России — 3 июля 2008 года. Релиз фильма на Blu-ray состоялся 18 ноября 2008 года^[3]. Режиссёром фильма стал Эндрю Стэнтон, чей предыдущий фильм «В поисках Немо» выиграл «Оскара» за лучший анимационный полнометражный фильм. Джим Моррис, ранее работавший в компании Lucasfilm, стал продюсером картины. Это первый фильм студии Pixar, в котором использовалась игра живых актёров.

Название

Оригинальное название фильма WALL-E является акронимом от Waste Allocation Load Lifter Earth-Class^[1] (приблизительный перевод: мусоропогрузчик земного класса). В российском прокате фильм получил название «ВАЛЛ-И» или же со стилизованным дефисом «ВАЛЛ·И» (акроним от Вселенский Аннигилятор Ландшафтный Лёгкий · Интеллектуальный^[4]). Оригинальное английское название, при произношении звучит как «УОЛЛИ», и похоже на имя «Wally» (от Wallice). В Великобритании слово «wally» также означает «дурачок». Такое человеческое имя, по всей видимости, выбрано неслучайно, т. к. с самого начала очеловечивает главного персонажа — робота.

Сюжет

В 2100-х годах мегакорпорация Buy ‘n Large взяла под контроль всю сферу экономических услуг на Земле, став в итоге мировым правительством. Из-за большого количества неперерабатываемых отходов планета становится настолько грязной, что на ней больше нельзя поддерживать жизнь. В попытке сохранить человечество, Buy ‘n Large осуществляет его исход в космос на борту крупнейшего в истории человечества корабля «Аксиома». На очистку планеты были брошены тысячи роботов ВАЛЛ-И. Однако, семьсот лет спустя, в рабочем состоянии остаётся только один ВАЛЛ-И (Бен Бёртт). Планета по-прежнему покрыта мусором, часть из которого сложена в огромные башни. После столетий пребывания в состоянии микрогравитации (изначально полёт должен был продолжаться пять лет) люди на борту «Аксиомы» лишились значительной костной и мышечной массы и стали настолько ожиревшими, что не могли стоять или двигаться без помощи роботов. Любая задача на борту корабля выполняется роботами, включая его пилотирование, осуществляемое роботом-автопилотом AUTO (озвучен программой MacInTalk).

Длительная работа ВАЛЛ-И способствовала развитию в нём личности. Он вместе со своим тараканом собирает всевозможные остатки былой цивилизации, которые находит среди гор мусора. Необычной же находкой становится растение, обнаруженное под одним из выброшенных на помойку холодильников. В своём «доме» на линзу Френеля он регулярно просматривает Хэлло, Долли!» (1969), где ему особенно нравятся музыкальные номера «Sunday Clothes» и «It Only Takes a Moment». Запись учит его человеческим чувствам, эмоциям и поведению, из которых ему нравится больше всего — держаться за руки. Однажды на планету прилетает ЕВА (Естествоведческая Автоматика; озвучена Элиссой Найт) — робот, посланный с «Аксиомы» для поиска растительной жизни. ВАЛЛ-И влюбляется в неё, но несмотря на все его усилия, главным для ЕВЫ остаётся её программа. Когда ВАЛЛ-И показывает ей найденное растение, она сразу же помещает его в специальное хранилище внутри себя и отключается. ВАЛЛ-И пытается разбудить её, помочь ей, пытается играть с ней в Pong до счета 8000:0, ухаживает за ней, пока за ней не прибывает корабль. Когда корабль увозит ЕВУ с Земли, ВАЛЛ-И цепляется за наружную обшивку корабля и улетает вместе с ним.

На борту «Аксиомы» ВАЛЛ-И следует за ЕВОЙ до места назначения. Его действия создают переполох в повседневной рутине как роботов, так и людей. В частности, ВАЛЛ-И добавляет работы М-О (Microbe Obliterator, произносится им похоже на «моп» — англ. mop «швабра») — специальному роботу-уборщику, которому приходится убирать оставшуюся от гусениц грязь, а также случайно отключает от специальных устройств двух людей: Джона и Мэри, которые до этого не замечали мир вокруг себя.

На мостике ЕВА пытается показать капитану МакКрею (Джефф Гарлин) обнаруженное растение, но оно исчезло. AUTO сообщает капитану, что ЕВА неисправна и отправляет её на диагностику вместе с ВАЛЛ-И. Ошибочно полагая, что диагностический робот причиняет вред ЕВЕ, ВАЛЛ-И берёт её руку-оружие и случайно освобождает всех дефектных роботов. В тот момент, когда ЕВА пытается вернуть руку, их помечают как опасных роботов. ЕВА пытается вернуть ВАЛЛ-И обратно на Землю, но он отказывается возвращаться без неё. В этот момент появляется помощник AUTO — GO-4, который помещает пропавший ботинок с растением в спасательный корабль запрограммированный на самоуничтожение через некоторое время. ВАЛЛ-И спасает растение из взрывающегося корабля, и ЕВА возвращает его МакКрею. Он просит показать запись с Земли, в которой она видит, как ВАЛЛ-И заботился о ней, после того как она отключилась. Капитан потрясён обстановкой на Земле и решает, что люди должны вернуться и исправить это положение.

Но AUTO настаивает на том, что они не могут вернуться на Землю, и показывает запись, в которой глава компании Buy ‘n Large Шелби Фортрайт (Фред Уиллард) даёт указание автопилотам никогда не возвращаться на Землю, так как планета никогда уже не будет пригодна для жизни. Капитан отказывается подчиниться AUTO, тогда тот запирает капитана в его жилом отсеке, наносит серьёзные повреждения ВАЛЛ-И и деактивирует ЕВУ, отправляя их и растение в мусорный отсек. Там ЕВА активируется и пытается починить ВАЛЛ-И, но поиски запасных частей для ремонта ни к чему не приводят. ВАЛЛ-И указывает ЕВЕ на растение и говорит про землю, давая понять, что там есть запчасти к нему.

Заботясь о повреждённом ВАЛЛ-И, ЕВА и примкнувшие к ним дефектные роботы отправляются в главную часть корабля. В это время капитан смог пробраться к пульту управления. Он рассказал ВАЛЛ-И и ЕВЕ, что они должны поставить растение в нанодетектор, который выдвигается из пола на центральной палубе корабля. После небольшого сражения между ним и AUTO судно сильно накреняется, и пассажиры начинают перемещаться в сторону наклона. ЕВА спасает их от падающих транспортных кресел, но AUTO активирует закрытие нанодетектора. Тогда ВАЛЛ-И использует свой корпус, чтобы воспрепятствовать этому. Капитан встаёт на ноги, вызывая изумление у пассажиров, и отключает AUTO, восстанавливая порядок на борту корабля. После того как растение было помещено в нанодетектор, «Аксиома» совершает гиперпространственный прыжок на Землю. Сильно повреждённый ВАЛЛ-И отключается.

После прибытия корабля на Землю ЕВА начинает ремонт ВАЛЛ-И, но повреждения оказываются настолько сильными, что после ремонта ВАЛЛ-И не помнит ЕВУ и того, чему он научился за время своего существования. Он лишь помнит заложенную в него базовую программу: собирать мусор и прессовать его в кубики. ЕВА пытается заставить ВАЛЛ-И вспомнить её, но попытки оказываются тщетными. Тогда она «целует» его, и от статического разряда память ВАЛЛ-И перезагружается. К нему возвращаются все воспоминания и усвоенные им знания. Он вспоминает ЕВУ и видит, что она взяла его за руку. В конце фильма, камера оператора отдаляется от наших героев, пролетая через холмы, покрытые растительностью. А это значит, найденное ВАЛЛ-И растение было не единственным на Земле.

В ролях

Персонаж	Озвучка (оригинал)	Русская озвучка (BVSPR)
ВАЛЛ-И	Бен Бёртт	Андрей Лёвин
ЕВА	Элисса Найт	Марьяна Мокшина
Капитан корабля «Аксиома»	Джефф Гарлин	Сергей Русскин
Шелби Фортрайт,	Фред Уиллард	Марк Макаренков
Джон	Джон Ратценбергер	Михаил Щетинин
Мэри	Кэти Наджими	Людмила Безуглая
М-О (в русской версии: Д-ОК)	Бен Бёртт	Михаил Хрусталёв
голос бортового компьютера	Сигурни Уивер	Елена Шульман

• MacInTalk использовался для создания голоса AUTO.

Шаблон:Персонажи фильма ВАЛЛ-И

Другие роботы

• BRL-A — Роботы-зонты. Один из них испытывает проблемы с закрытием.
• BUF-R — Чистят EVE роботов.
• COM-T — Роботы-секретари. Одного из них, Валл-и научил махать рукой.
• D-FIB — Роботы-дефибрилляторы. Один из роботов не способен контролировать напряжение.
• GEL-A — Робот следящий за порядком на Аксиоме. В первую очередь следует командам AUTO.
• GO-4 — Глава охраны и второй капитан, но он полностью подчиняется AUTO.
• HAN-S — Роботы-массажисты. Один из них не может контролировать свои руки и очень энергично ими машет.
• L-T — Робот-фонарик, один из фонариков любит играть в темноте.
• NAN-E — Робот-няня. Учит и наблюдает за детьми на Аксиоме.
• PR-T — Роботы-косметологи, одна из них пыталась накрасить всех кто стоял рядом. Это коснулось и Валл-и.
• REM-E — Роботы-грызуны. Смоделированы наподобие компьютерных «мышей». Обитают на свалке Аксиома.
• SERV-A — Роботы-транспортировщики. Перевозят других роботов с места на место.
• SPR-A — Роботы-чистильщики. Моют других роботов.
• SUPPLY-R — Роботы подающие антены, (столбики с лампами), (робот был лишь в мультфильме » берн-и «)
• VAQ-M — Пылесосо-подобные роботы. Один из них чихал пылью.
• VN-GO — Роботы-маляры. Один из них оставлял след где бы ни проехал.
• WALL-A — (Мусоропогрузчик класса «Аксиом»). Большой прессовщик мусора. Используются на Аксиоме.

Создание

Идея создания «ВАЛЛ-И» возникла летом 1994 года во время обеда в кафе, на котором Джон Лассетер, Эндрю Стэнтон, Пит Доктер и Джо Рэнфт обсуждали идеи для своих будущих проектов, среди которых помимо «ВАЛЛ-И» были «История игрушек», «Приключения Флика», «Корпорация монстров» и «В поисках Немо».

При подготовке к работе над фильмом художники со студии

• В картине использовалось четыре различные модели Валл-и: „поломанный“, „целый“ и. т. д.
• Основная модель Валл-и содержит около 140000 вершин, а файл [5]
• Разработкой Евы занимался Джонатан Айв, дизайнер, подаривший миру iMac, [6]

Озвучка

Созданием голосов роботов занимался знаменитый звукорежиссёр, обладатель четырёх премий «Оскар» Бен Бёртт. Его самые известные работы — голос пришельца из фильма «Инопланетянин» и дроида Звёздных войн». Для озвучивания фильма Бёртт создал библиотеку из 2.400 файлов — больше, чем для какого-либо другого фильма. Ему требовалась находчивость в создании звуков для фильма. Чтобы сделать звук стремительного движения таракана, он нашёл пару полицейских наручников и сделал запись звука, то защёлкивая, то раскрывая их. Чтобы получить звук летающей ЕВЫ, он нашёл умельца, сконструировавшего действующую трёхметровую модель реактивного самолёта, и записал, как этот аппарат пролетает прямо над его головой. Пробежка по коридору вместе с холщовым мешком, волочащимся по ковровому покрытию, создало звук, идеально подходящий для иллюстрации песчаного шторма на опустевшей Земле. А проворачиваемый вручную инерционный стартер от биплана 30-х годов стал звуком, который издаёт ВАЛЛ-И при активном передвижении по ровной поверхности.

Релиз

Мировая премьера фильма состоялась в Греческом Театре в Лос-Анджелесе 21 июня 2008 года^[7]. ВАЛЛ-И в первый уик-энд собрал 63,1 миллионов долларов в 3992 кинотеатрах и стал лидером проката, обойдя блокбастер «Особо опасен»^[8]. По сравнению с другими фильмами студии Pixar это третий результат, равный «Корпорации монстров» и хуже, чем у «Суперсемейки» и «В поисках Немо»^[9].

Продолжая традицию студии Pixar, перед «ВАЛЛ-И» был показан короткометражный фильм «Престо».

Награды

Оскар, 2009 год Победитель (1): Лучший анимационный фильм

Номинации (6): Лучший сценарий Лучший звук Лучший монтаж звука Лучшая песня — «Down to Earth» Лучший саундтрек

Золотой глобус, 2009 год Победитель (1): Лучший анимационный фильм

Номинации (1): Лучшая песня — «Down to Earth»

Британская академия, 2009 год Номинации (3): Лучший звук Лучший саундтрек Лучший анимационный фильм

Игра на основе мультфильма

Сразу же после премьеры фильма в свет вышла и игра (разработчик Heavy Iron Studios; издатель 1С^[10]. Локализация также затронула и версии для PS2, xbox 360, PS3 и PSP. Особенности:

• Десять интерактивных анимационных миров, полных удивительных приключений, сложных головоломок и интереснейших заданий: главные герои фильма действуют на Земле и на борту космического корабля!
• Самые яркие экранные эпизоды и абсолютно новые истории, созданные специально для игры.
• Мультиплеер для четырёх игроков.
• Игра озвучена актёрами, работавшими над дубляжом фильма.

Примечания

Ссылки

• Официальный сайт «ВАЛЛ-И»(англ.)
• ВАЛЛ•И : Официальный сайт фильма(рус.)
• Русскоязычный фан-сайт и форум мультфильма(рус.)
• «ВАЛЛ-И»(рус.) на сайте MeloBox.Ru
• «ВАЛЛ-И»(англ.) на сайте Internet Movie Database
• ««ВАЛЛ-И»»(англ.) на сайте
• «ВАЛЛ-И»(англ.) на сайте Rotten Tomatoes

Премия «Оскар» за лучший анимационный полнометражный фильм
Шрек (2001) · Унесённые призраками (2002) · В поисках Немо (2003) · Суперсемейка (2004) · Уоллес и Громит: Проклятие кролика-оборотня (2005) · Делай ноги (2006) · Рататуй (2007) · ВАЛЛ-И (2008)

Pixar Animation Studios
Полнометражные фильмы	История игрушек (1995) · Приключения Флика (1998) · История игрушек 2 (1999) · Корпорация монстров (2001) · В поисках Немо (2003) · Суперсемейка (2004) · Тачки (2006) · Рататуй (2007) · ВАЛЛ-И (2008) · Вверх (2009) · История игрушек 3 (2010) · Тачки 2 (2011) · Медведь и лук (2011) · Ньют (2012)
Короткометражные фильмы	Приключения Андрэ и пчёлки Уэлли (1984) · Люксо младший (1986) · Звезда цирка (1987) · Оловянная игрушка (1988) · Безделушка (1989) · Игра Джери (1997) · О птичках (2000) · Новая машина Майка (2002) · Барашек (2003) · Джек-Джек атакует (2005) · Человек-оркестр (2005) · Мэтр и призрачный свет (2006) · Похищение (2006) · Твой друг крыса (2007) · Престо (2008) · · Переменная облачность (2009)
Продукты	Pixar Image Computer · Marionette
Ключевые фигуры	Джон Лассетер · Эд Катмулл · Стив Джобс · Пит Доктер · Эндрю Стэнтон · Брэд Бёрд · Ли Анкрич · Гэри Ридстром · Бренда Чэпман · Брэд Льюис · Боб Питерсон · Джо Рэнфт
См. также	Walt Disney Animation Studios · Список полнометражных анимационных фильмов компании Уолта Диснея

- fell |fel|  — валить, валиться, рубить, вырубать, валить с ног, подрубать, запошивать
- fall |fɔːl|  — падать, снижаться, опускаться, впадать, понизиться, понижаться, валить
- lumber |ˈlʌmbər|  — громыхать, загромождать, валить, сваливать в беспорядке, валить и пилить
- pour out |ˈpɔːr ˈaʊt|  — выливать, разливать, наливать, отливать, валить, валить наружу
- naff |næf|  — сматываться, валить, проваливать, уматывать, выметаться, сваливать
- hurl |hɜːrl|  — бросать, швырять, швыряться, метать, валить, разражаться

Смотрите также

трали-вали — the usual stuff
вали отсюда! — leg it out of here!
отваливай /вали, чеши/ отсюда! — push off!
всевозможные вещи; трали-вали — all sorts of things
проваливай!, вали отсюда; ≅ иди ты — piss off!
убирайся к черту; вали отсюда!; пошел вон! — get knotted!
держи карман шире!; вали отсюда!; черта с два! — on yer bike

Родственные слова, либо редко употребляемые в данном значении

- cut |kʌt|  — отрезать, резать, разрезать, резаться, сокращать, урезать, снижать
- throw |θrəʊ|  — бросать, кинуть, кидать, забросить, метать, швырять, швыряться, швырнуть
- get out |ˈɡet ˈaʊt|  — выходить, убираться, выбираться, вылезать, уходить, проваливать
- drop |drɑːp|  — падать, ронять, уронить, опускаться, опускать, понижать, понижаться
- tumble |ˈtʌmbl|  — вваливаться, падать, кувыркаться, переворачивать, свалиться, рушиться

Dictionarist

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Происхождение фамилии Валли

Большинство фамилий, в том числе и фамилия Валли, произошло от отчеств (по крестильному или мирскому имени одного из предков), прозвищ (по роду деятельности, месту происхождения или какой-то другой особенности предка) или других родовых имён.

История фамилии Валли

В различных общественных слоях фамилии появились в разное время. История фамилии Валли насчитывает несколько сотен лет. Первое упоминание фамилии Валли встречается в XVIII—XIX веках, именно в это время на руси стали распространяться фамилии у служащих людей и у купечества. Поначалу только самое богатое — «именитое купечество» — удостаивалось чести получить фамилию Валли. В это время начинают называться многочисленные боярские и дворянские роды. Именно на этот временной промежуток приходится появление знатных фамильных названий. Фамилия Валли наследуется из поколения в поколение по мужской линии (или по женской).

Суть фамилии Валли по буквам

Фамилия Валли состоит из 5 букв. Пять букв фамилии являются показателем гуманитарных наклонностей. Эти люди любят и умеют ценить искусство, они – приятные и интересные собеседники. Такой человек никогда не вызовет у собеседника ощущения, что он имеет дело с «пустышкой», стремящейся «пустить пыль в глаза». Поэтому отношения с представителями противоположного пола всегда основаны прежде всего на взаимном уважении. Проанализировав значение каждой буквы в фамилии Валли можно понять ее суть и скрытое значение.

В — умение сходиться с людьми, простота в общении, реализм; творческая личность, стремится к единению с природой. В жизни человека очень много зависит именно от его решений.

А — самая сильная и яркая буква кириллицы. Личности, обладающие такими буквами в фамилии, всегда стремятся к лидерству. Нередко они соревнуются с самим собой. Указывает на желание что-то изменить, достичь наивысшего уровня комфорта в физическом проявлении и в духовном.

Л — тонко воспринимают прекрасное. Мягкость характера, умение в нужный момент подобрать ключик к каждому. Обладают артистизмом и художественным складом ума. Желание делиться опытом. Не тратят жизнь бессмысленно, ищут истинное предназначение. В худшем варианте – самовлюбленность, недовольство окружающими.

Л — тонко воспринимают прекрасное. Мягкость характера, умение в нужный момент подобрать ключик к каждому. Обладают артистизмом и художественным складом ума. Желание делиться опытом. Не тратят жизнь бессмысленно, ищут истинное предназначение. В худшем варианте – самовлюбленность, недовольство окружающими.

И — романтичные, утончённые и чувственные натуры. Добрые, мечтают о гармонии с окружающим миром. В сложной ситуации проявляют практичность. Иногда склонны к одиночеству и аскетизму. Неумение подчиняться кому-либо, в то же время указывает на равнодушие к власти.

Значение фамилии Валли

Фамилия является основным элементом, связывающим человека со вселенной и окружающим миром. Она определяет его судьбу, основные черты характера и наиболее значимые события. Внутри фамилии Валли скрывается опыт, накопленный предыдущими поколениями и предками. По нумерологии фамилии Валли можно определить жизненный путь рода, семейное благополучие, достоинства, недостатки и характер носителя фамилии. Число фамилии Валли в нумерологии — 4. Люди с фамилией Валли — это упрямые и своенравные люди, двигающиеся к поставленной цели. Число 4 в фамилии наделяет своего носителя упорством, целеустремленностью и достаточным количеством сил. Такие особы не слишком общительны: они старательно избегают компаний и стараются не тратить свободное время понапрасну. Все выполняемые дела даются им с трудом, но этот факт не останавливает человека с фамилией Валли от задуманного.
В их психологической матрице присутствуют элементы меланхолии, которая активно проявляется в сложных ситуациях. Это мыслители, тщательно обдумывающие свои шаги. Они сознательно избегают риска и чаще всего используют проверенные способы достижения цели.

Жизненный путь рода и фамилии Валли.
Высшие силы наделили носителей фамилии Валли мощной защитой. Они защищают этих людей от жизненных невзгод и всевозможных неприятностей. Как только человек начинает двигаться в неверном направлении, на помощь ему приходит совершенно посторонняя личность и указывает правильный путь. Такие люди ценят свою свободу и не терпят навязчивого контроля. Если им обеспечить хорошие условия, то со временем носители фамилии Валли раскрывают свой потенциал.
В обычной жизни их называют чудаками и замкнутыми людьми: пока другие думают о развлечениях, четверки вынашивают глобальные планы. Они тяжело переживают свои ошибки и не любят публичных выступлений. В классе они часто являются лучшими учениками, но при этом избегают должности старосты и лидера группы.

Семейная жизнь с фамилией Валли.
Чаще всего люди с фамилией Валли строят свою семейную жизнь на фундаменте любви и взаимопонимания. Не признают брак по расчету и открыто презирают альфонсов. Возможен брак из–за неосторожного секса, в результате которого родился ребенок. В этом случае носитель фамилии Валли попросту следуют своему моральному кодексу и обеспечивают защиту своей кровиночке. Их не интересуют шумные компании: они с радостью их меняют на семейный ужин или просмотр нового фильма в кинотеатре. Не склонны к изменам и способны победить свои тайные желания. Как правило, их семья материально обеспечена, а в их доме царит уют и порядок.

Рекомендуемые профессии для фамилии Валли.
Носители фамилии Валли часто увлекаются наукой, а потому становятся учеными с докторской степенью. Это потенциальные врачи и диагносты: они великолепно разбираются в тонкости течения той или иной болезни, способны находить скрытые причины заболевания. Представители фамилии Валли могут добиться успеха в законодательной сфере. Они могут быть отличными юристами, адвокатами и судьями. К руководящим должностям стремятся редко: чаще всего довольствуются ролью заместителя или ведущего специалиста отдела. При наличии склонности к математическим наукам, возможна карьера бухгалтера или экономиста. В бизнес сфере проявляют себя с плохой стороны: не умеют реагировать на изменения рынка, плохо чувствуют потенциальные возможности.

Достоинства характера человека с фамилией Валли.
Фамилия Валли — целеустремленность, уравновешенность, честность и преданность. Это ответственные люди, выполняющие все взятые на себя обязательства. Достаточно тихие и спокойные люди, избегающие конфликтных ситуаций.

Как правильно пишется фамилия Валли

В русском языке грамотным написанием этой фамилии является — Валли. В английском языке фамилия Валли может иметь следующий вариант написания — Valli.

Склонение фамилии Валли по падежам

Падеж	Вопрос	Фамилия
Именительный	Кто?	Валли
Родительный	Нет Кого?	Валли
Дательный	Рад Кому?	Валли
Винительный	Вижу Кого?	Валли
Творительный	Доволен Кем?	Валли
Предложный	Думаю О ком?	Валли

Видео про фамилию Валли

https://youtube.com/watch?v=OicCOJYX85o

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This article is about the character. For the film, see WALL-E (film).

WALL- E (Waste Allocation Load Lifter — Earth-Class, with the formal designation N. 62675) is the titular protagonist of the 2008 Disney/Pixar animated feature film of the same name. He is a waste-collector drone created by the Buy n Large corporation initially programmed to haul the garbage plaguing Earth in the distant future. Unexpectedly, his years of loneliness and never-ending work allowed him to gain a consciousness of his own, and a wish for something else in life to come. One day, his world is turned upside-down when he meets another robot from outer space.

Background

Personality

Because WALL•E has been alone for 700 years, he has developed a «glitch»: sentience and a personality. He has become very curious and he keeps anything interesting he can find. Even though he still obediently follows his directive, WALL•E can get distracted, collecting the trash rather than compacting it. His most prized possession, «Hello, Dolly!», teaches him how to hold hands, which he considers the way to say, «I love you.»

He has become very lonely, having nobody but Hal as his company, and is beginning to wonder whether there is more to life than his directive. So when he meets EVE, he quickly falls in love with her. WALL•E is very protective of EVE. When she shuts down after getting the plant, WALL•E places her on top of his transport (thinking she is charged by solar energy just as he is) and protects her from the weather waiting for her to «recharge». At the repair center, he mistakes the equipment there as trying to torture her and rushes to her aid. When EVE is frustrated and discomforted by his interventions, he quickly remorses about it and knows when to back out in dangerous situations and let EVE handle the dealing, but still insists to follow and help her complete her directive.

When he first learns about love, WALL-E is fascinated and wants to find someone he loves for himself. When around EVE, he attempts to demonstrate his love for her in the best way he can, even when she didn’t reciprocate his feelings at first. As the film progresses, however, WALL-E is able to understand the importance of how love isn’t just about holding hands, but taking time to know each other, trusting people, and accepting who they are and what they are meant for.

WALL•E’s friendly demeanor has an effect on the other robots and humans he meets. For instance, he causes M-O to act on his own, leaving his pre-set travel path to follow WALL-E trying to clean him, and he teaches TYP-E how to wave good-bye. He also breaks John and Mary out of the technology-induced reverie that consumed the lives of all the other passengers aboard the Axiom, wherein they learn how to enjoy the world and each other’s company for the first time in their lives. Even the dirt on his chassis provided Captain B. McCrea the impetus necessary to become interested in the history of and subsequent return to Earth. Most importantly, he is instrumental in EVE’s growth and development, from rigidly following her programming to learning how to love him in return.

WALL-E can also show a little bit of bravery, as such when he proceeds to continue forward, even in the most serious situations or when he is hurt or damaged. As such, when he followed EVE to the Axiom out to space, he didn’t have the slightest concern of what space would appear to him and instead admired them, as far as charging himself upon the sun. He also demonstrated this when attempting to hold the holo-detector from closing for the plant to be placed in. He can also be willing to put others before his wish, as such when he had the chance to hold EVE’s hand when she finally returned his feelings, but declined them in the process, instead telling her to complete her directive to return to Earth in order for him to be fixed.

While he may make some sort of mistake and be blamed for it, WALL-E holds no grudge toward anybody (even EVE) for their mistreatment towards him. Additionally, WALL-E is very forgiving and determined to set things right, as he helped EVE save the plant that was stolen from her despite how rigorous she was to him. Afterwards, EVE was grateful for WALL-E aiding her and was apologetic for how frustrated she was with him, for which WALL-E forgives EVE and accepts her friendship. It shows that even though WALL-E knows someone will be upset (whether at him or not), he’ll own up and try to improve of his actions.

Possibly due to centuries of living alone, WALL-E used to have a desperate need to please others. This was most likely out of fear of losing the new friend he had made in EVE. This is shown when he brought EVE back to his home in the middle of a sandstorm and he showed her all of the knick-knacks he had collected throughout the years. When EVE had deactivated after collecting the plant he had found, WALL-E not only protected her from the environmental harms that had occurred while she was offline, but took her sightseeing and out on dates, which was what caused EVE to become even more infatuated with him when learning about this.

Abilities

• Construction: He has twin, extending, hydraulic arm shovels with articulated fingers mounted on U-shaped tracks to his sides. His locomotion is achieved with treads sporting four independently-actuated sprockets for stability. The tracks on his treads can be removed by unclipping the hinge pins on a single joint. His front opens up his body cavity in which he gathers and compresses trash. His head contains his audio-visual sensors mounted on a long, articulated neck, enabling him to see in any direction. All his extremities — arms, treads, and head — retract back into his cube-shaped body for easier storage, referred to as «boxing» in the movie script. He reverts to this shape whenever sleeping (or hiding). A hook on his back served some unknown purpose (perhaps for self-storage aboard the transport). He now uses it to carry around his BnL Igloo-style cooler full of interesting bits of trash he picks up at work. His hull is reinforced, mostly to give him the strength necessary to compact trash in his body cavity. As such, he is able to survive most environmental dangers, including long falls, extreme heat, the vacuum of space, and being trapped in a hydraulic actuator much larger than himself.

• While it is clear that WALL-E could have been made with more sophisticated technology (such as the LED eyes of EVE and several other kinds of robots aboard the Axiom), the design choices made for WALL-E favor durability and most importantly, the easy replacement of parts. This allowed WALL-E to keep himself fully functional over his seven centuries of service.

• Regeneration Unit: He has a solar-powered regeneration unit as his power source. Super-high-efficiency solar panels unfold from the top of his chest and recharge the batteries contained adjacent to his control system. These batteries are capable of powering him for upwards of a day’s hard work. A read-out on his chest gives his current charge level and beeps an alarm when his power level has drained dangerously low. The panels can be removed to expose auxiliary battery leads that can be used to jump-start WALL-E, or for him to jump-start some other electric mechanism.
• Control System: All of WALL-E’s control electronics are contained within the cavity in the front of his chest. All of his systems are controlled through a central motherboard. WALL-E’s eyes are camera lenses, indicating that visual recognition is his primary means of navigation. They can magnify and resolve images at a distance, even independently if necessary. In addition to visual, he appears to have audio and some rudimentary tactile sense, given that he can detect things that his hands or treads touch. He also contains an alert system, warning him when dust storms are approaching on Earth’s surface. Speakers mounted to his chest allow him to communicate audibly. He possesses a recorder with external controls — stop, record, play — which he uses to record songs from the Hello, Dolly!. What function it originally served is unknown (perhaps to play and record Buy n Large jingles and slogans to humans before they left Earth).
• Trash Disposal: Two powerful hydraulic presses on his back operate his compactor function, compressing trash in his body cavity into neat cubes that can be easily stacked and carted away. His strong, dexterous arms enable him to create stacks of trash blocks hundreds of feet high with incredible precision. Between his eyes is a high-power laser, which he typically uses to cut large pieces of trash into manageable pieces. He has a fine degree of control over the device, as he is able to use it to carefully engrave his and Eve’s names on a metal trash can.

Appearances

WALL-E

In the year 2110, rising toxicity levels make life unsustainable on Earth. After all the humans leave Earth aboard giant spaceships, millions of WALL-E robots and a lesser amount of mobile incinerators are left behind to clean up the dirty planet. But after 700 years, the incinerators and all but one WALL-E robot have failed. This last operational WALL-E (N. 62675) is still hard at work, blissfully unaware of the futility of his situation. During this time, he befriends a cockroach (whom he names Hal). Though he continues obeying his directive to compact trash, as he develops curiosity, he begins saving odds and ends that fascinate him. He hides out from sandstorms and rain in his truck, spending his time sorting his collection, the pride of which is an old VHS copy of the musical «Hello, Dolly!». To keep himself going, he has taken to salvaging parts from his inoperative counterparts.

One day after work, he finds a mysterious red dot that zips away from him. He follows, not noticing that there are several others behind him. Once the red thing stops, he tries to grab it, but it turns out to be a light from a massive ship coming down on him. He narrowly escapes by digging a hole into the ground to hide in. Once the ship lands, it deposits EVE, a robot sent back to Earth to evaluate the soil to check for signs of ongoing photosynthesis, proof that life is sustainable again. WALL-E is fascinated with this new robot and is excited to see someone else besides himself for the first time in hundreds of years, and soon falls in love with her, wishing to hold her hand like he’d seen done in his favorite movie. He attempts to impress her many times, but due to EVE dedicated to her mission, he fails but refuses to give up. Despite their hostile encounter, EVE soon begins to befriend WALL-E when they formally introduced each other and their directives, and when WALL-E saves her from a sandstorm. He shows her a plant he had found earlier, which she immediately takes and stores in her chest cavity before going into standby mode. Alarmed, WALL-E tries to wake her inert body but fails, so for the next several days, he protects EVE, taking her out on «dates». Eventually, he gives up on her awakening and attempts to return to work, but finds he cannot focus on his directive; EVE is all he cares about.

When he sees her ship return to pick her up, WALL-E races to get back to EVE. Making sure Hal stays put, he clings to its hull as it travels through space to the Axiom. WALL-E is amazed to see the wonders of space for the first time, also taking the chance to recharge while in range of the sun. Once at the Axiom, he encounters the cleaner bot M-O, who tries to clean him up. WALL-E engages in a cat-and-mouse chase, pursuing the cart robot carrying EVE to the bridge, not realizing that M-O is following his trail to clean up the dirt his treads left behind. On reaching the bridge, WALL-E hides from sight, but eventually gets discovered by EVE, then Captain McCrea. EVE, who discovers the plant to be missing, presumes WALL-E to be the thief. They are then both sent to maintenance. WALL-E mistakes the diagnostics to be hurting her and breaks out to try and help her, accidentally blasting the power console with her blaster and freeing other malfunctioning robots.

After a chase through the Axiom‘s halls evading security, EVE tries to send WALL-E home in an escape pod, but he refuses to leave her. They hide when GO-4 arrives and places the missing plant in the pod, which clears EVE’s suspicions of the plant. WALL-E tries to retrieve it only for the pod to be jettisoned into space, set to self-destruct. Storing the plant in his chest and grabbing a fire extinguisher, he escapes the pod just before it explodes. EVE is so grateful he saved the plant that she kisses him, much to his surprise, then they share a space dance before re-entering the Axiom.

Once inside, WALL•E offers to help EVE, but she tells him to stay put near the pool while she goes up the garbage chute to deliver the plant to Captain McCrea. Soon, WALL•E becomes anxious with waiting and climbs up the chute, in the process saving the plant from falling. After a fight with the plant, he is electrocuted by Auto and sent down to the garbage depot, along with EVE. They are compacted with other garbage by WALL•E’s bigger counterparts, the WALL•As. EVE struggles to free him before they are sucked in the vacuum of space. However, they are prevented from being sucked into the vacuum, thanks to M-O and the WALL•As shutting the airlock. EVE, who had witnessed her security files of WALL•E protecting her, changes her directive to caring for him.

WALL•E then shows his motherboard that is damaged beyond repair to EVE and tells her that his replacements are halfway across the galaxy. This finally makes EVE agree to fulfill her original directive if only to get him home so he can get repaired. With the Captain’s guidance, they make their way to the holo-detector, which, when inserted with a plant, will send the Axiomback to Earth. But Auto, still obeying a 700-year-old directive issued by Buy n Large CEO Shelby Forthright, is determined to stop them by tilting the ship. WALL•E drops the plant when he sideswipes the holo-detector, and Auto proceeds to close the holo-detector for good. WALL•E wedges himself underneath the holo-detector to keep it from shutting and gets crushed while EVE is occupied with saving the humans from being crushed by a train. The Captain finally relieves Auto of duty by switching Auto to Manual mode, which shuts Auto down. After Auto is defeated and the Captain rights the Axiom, EVE rushes over to the holo-detector and attempts to pry it open to free WALL•E, but to no avail. She quickly calls to the other robots and humans to retrieve the plant. M-O finds the plant, and with help from the humans and robots lined up, EVE catches the plant and places it into the holo-detector, activating the device. EVE pulls a severely damaged WALL•E out as the Axiom initiates a hyperjump straight to Earth.

As soon as they land, EVE rushes WALL-E back to his truck, where she repairs him and recharges him. WALL-E wakes back up, but his memory is wiped clean and he reverts to his original programming and directive, oblivious to EVE, Hal, and his collection. EVE attempts to help him remember, but when all her efforts fail, she becomes heartbroken and sadly holds his hand like he had wanted and gives him a farewell «kiss». As EVE prepares to leave in sorrow, WALL-E’s grip on her hand tightens. His eyes then adjust, and he calls her name, making her overjoyed. They kiss and the power of love reboots his memory. WALL-E is surprised upon waking up to see that they are holding hands. WALL-E and EVE help the Captain and Axiom passengers start a new life on Earth, and they spend the rest of their lives together.

Several years later, WALL-E is still together with EVE, holding hands as the two observe a large tree, which has grown from the same plant that WALL-E had discovered at the beginning of the film.

Other appearances

WALL-E makes a brief cameo in the short film, Your Friend the Rat. He is seen driving a vehicle on Mars, with several humans and rats riding in it. Ironically, this short film was released a year before WALL-E’s titular film was released.

WALL-E is one of the many Pixar characters that appears in Pixar: In Real Life. He appears in two episodes: «WALL-E: Lost and Found» and «WALL-E: BnL Pop-up Shop».

A glass capsule of WALL-E (along with glass capsules of EVE and AUTO) can be seen inside one of the glass displays at Second Chance Antiques in Toy Story 4.

WALL-E makes a cameo in The Simpsons in Plusaversary, as one of the many Disney-owned characters celebrating Disney+ Day at Moe’s Tavern.

A crate resembling WALL-E in his cube-shaped form appears in Lightyear, first outside the abandoned space hanger where Buzz Lightyear and Sox try to look for a new ship to use, and later inside the deck of the mining facilities as it breaks off.

Disney Parks

WALL-E has made appearances at some special events as an interactive audio-animatronic. The animatronic, created under the Living Character Initiative, was planned to make appearances at Disneyland and the Magic Kingdom, but this was canceled over concerns that the animatronic, which is rather heavy, could run over guests’ feet and cause injuries (and lawsuits), as well as reports it was constantly breaking down during backstage testing at Disneyland (one such breakdown occurred at a D23 expo meet-and-greet).

Sorcerers of the Magic Kingdom

WALL-E has his own spell card called WALL-E’s Trash Crunch.

Star Tours: The Adventures Continue

WALL-E makes a cameo in Star Tours: The Adventures Continue. He appears on G2-9T’s luggage scanner in the queue, alongside several other Disney and Star Wars characters, apparently being smuggled onto a flight by a Star Tours passenger. A separate piece of luggage which passes by the Goose Droid is filled with objects from WALL-E’s collection, including the boot with the plant growing from it.

World of Color

WALL-E and EVE play major roles in the show, where they fly through space to the «Define Dancing» tune from the film’s score.

Video games

Disney Heroes Battle Mode

WALL-E appears as a playable character in the mobile game, he is a hero who throws trash at enemies and also uses his fire extinguisher to freeze enemies.

LEGO The Incredibles

WALL-E is the Pixar Build character for his franchise in the game.

Gallery

Relationships

Trivia

• WALL-E is Pixar’s second titular character, the first one being Nemo from Finding Nemo.
  • WALL-E is also Pixar’s first titular character to ever be a protagonist.
• In the WALL-E script available online, his name is spelled «Wally» (slang for a foolish or naïve person). It is also pronounced this way when referenced in the directors’ commentaries.
• The sound that is heard when WALL-E’s power is regenerated is the same sound that is heard when an Apple computer is turned on (specifically an iMac G3) or when Video Treasures Presents (1997) is played. Similarly, the icon of the Sun on his Solar Charge Level readout is the same as the Brightness icon on a Macintosh. These are likely references to former Apple CEO Steve Jobs’ involvement in the formation of Pixar Animation Studios.
• The sounds of WALL-E’s treads were created by a hand-cranked electric generator when he moves around and an automobile self-starter for when he goes fast.
• WALL-E was painted yellow to resemble a Caterpillar Inc. tractor. As a result, the garbage-strewn Earth had to have most of its color drained away so as to make him stand out.
• WALL-E shares many traits (including appearance) with another personality-prone movie robot, Johnny-5, from the 1986 sci-fi comedy movie Short Circuit. Director Andrew Stanton states this is a mere coincidence, as WALL-E’s appearance is based on the character Lenny from Toy Story, and his behavior is based on Luxo Jr.
• WALL-E was seen in the short film Your Friend the Rat (during the «Plan B» sequence) that came with the Ratatouille DVD release.
• Some pictures floating around the internet have shown WALL-E making cameo appearances in every Pixar movie since Toy Story. However, all of these pictures are fake.
• WALL-E is also shown to be a great digger, which is shown when he rapidly digs a hole to hide in when the probe ship was landing, and later digs another one when the probe ship was taking off. He may have developed this ability from his years of compacting trash.
• WALL-E greatly resembles Nintendo’s Robotic Operating Buddy or R.O.B. for short.
• WALL-E has eyebrow-like mechanisms that pop up from his eyes to express surprise and sometimes intrigue.
• Although WALL-E commonly mispronounces EVE’s name, there are some rare instances of him pronouncing her name correctly, that being ‘Eve’, instead of ‘Eva’.

This page uses Creative Commons Licensed content from the Pixar Wiki. The list of authors can be seen in the page revision history (view authors). As with Disney Wiki, the text of the Pixar Wiki is available under the CC-BY-SA license.

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Media Films: WALL-E (video/soundtrack) • BURN-E Books: The Art of WALL-E • Manga Video Games: WALL-E • Disney Universe • Disney Magic Kingdoms • Disney Emoji Blitz • LEGO The Incredibles • Disney Heroes: Battle Mode Disney Parks Games of Pixar Pier • Pixar Pal-A-Round Fireworks: Illuminate! A Nighttime Celebration • Together Forever: A Pixar Nighttime Spectacular • Momentous • Happily Ever After • World of Color Characters WALL-E • EVE • AUTO • M-O • GO-4 • Captain B. McCrea • Shelby Forthright • John • Mary • PR-T •VN-GO• VAQ-M • D-FIB • SECUR-T • Hal • BURN-E • SUPPLY-R • Garbage Truck Robot • WALL-A Songs Aquarela do Brasil • Put On Your Sunday Clothes • It Only Takes a Moment • Down to Earth • BnL Jingle • Define Dancing Locations Axiom • WALL-E Transport Vehicle • Probe ship • Incinerator • Buy n Large Objects Pixar Ball • A113 • Pizza Planet Truck See also The Science Behind Pixar • Pixar in a Box

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Media Toys and Merchandise • Mobile Application (Disney and Star Wars) • Mobile Application (Marvel) • Television Shorts • Kingdom Hearts Union χ • Disney Tsum Tsum Festival • Twisted Wonderland Disney Mickey and Friends: Mickey • Minnie • Donald • Daisy • Goofy • Pluto • Chip and Dale • Oswald • Ortensia • Duffy • ShellieMay • Gelatoni • StellaLou • CookieAnn • ‘Olu Mel • Huey, Dewey, and Louie • José Carioca • Panchito Pistoles • Clarabelle Cow • Horace Horsecollar • Max Goof • Clarice • Pete • Scrooge McDuck • Ludwig Von Drake • Dr. Frankenollie • Julius Pooh and Pals: Pooh • Tigger • Piglet • Eeyore • Rabbit • Owl • Roo • Kanga • Gopher • Christopher Robin • Lumpy Lilo & Stitch: Stitch • Lilo • Scrump • Pleakley • Jumba • Angel • Leroy • Dr. Hämsterviel • Ugly Duckling • Sparky • 627 • Gigi • Babyfier • Yang • Slushy • Shortstuff • 625 • Amnesio • Dupe • Sample • Clip • Tank • Yin • Hunkahunka • Plasmoid Silly Symphonies: Donald Duck • Big Bad Wolf • Practical Pig • Fiddler Pig • 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Mr. Big • Bellwether • Jerry Jumbeaux Jr. Moana: Moana • Maui • Pua • Heihei • Tamatoa • Kakamora Chip ‘n Dale Rescue Rangers: Chip • Dale • Gadget • Monterey Jack Phineas and Ferb: Perry The Lion Guard: Kion • Ono • Bunga • Beshte • Fuli DuckTales (2017): Scrooge McDuck • Huey, Dewey, and Louie • Webby Vanderquack Kingdom Hearts: Sora • Riku • Kairi • Aqua • Xemnas • Ansem, Seeker of Darkness • Ventus • Terra • Chirithy • Lea • Young Xehanort • Roxas • Dark Riku UniBEARsity: Sofia the First: Sofia • Minimus • Skye Elena of Avalor: Elena Enchanted: Giselle Disney Fairies: Periwinkle • Rosetta • Silvermist The Sword in the Stone: Wart • Merlin Oliver & Company: Oliver Raya and the Last Dragon: Raya • Sisu Twisted Wonderland: Grim Encanto: Mirabel • Isabela Pixar Toy Story: Woody • Buzz Lightyear • Bo Peep • Hamm • Alien • Jessie • Rex • Bullseye • Stinky Pete • Lotso • Forky • Ducky and Bunny A Bug’s Life: Flik • Dot • Heimlich Monsters, Inc.: Sulley • Mike • Boo • Randall • Celia • Roz • Fungus • George Sanderson Cars: Lightning McQueen • Mater • Sally • Doc Hudson • Jackson Storm • Cruz Ramirez • Mack • Miss Fritter Finding Nemo: Nemo • Dory • Marlin • Crush • Bruce • Destiny • Bailey • Hank • Squirt • Nigel • Gill • Sheldon • Pearl • Darla • Charlie • Jenny WALL-E: WALL-E • EVE Ratatouille: Remy • Linguini Up: Carl Fredricksen • Dug • Kevin • Russell Brave: Merida Inside Out: Joy • Sadness • Anger • Disgust • Fear • Bing Bong The Good Dinosaur: Arlo Onward: Ian Lightfoot • Barley Lightfoot Soul: Joe • 22 Disney Parks Monorail • Walter E. Disney • Dumbo • Mad Tea Party • Splash Mountain • Astro Orbiter • Matterhorn Bobsleds • The Haunted Mansion • Albert • Enchanted Tiki Room • Orange Bird • Pirates of the Caribbean • Jungle Cruise • Big Al • Bonnie Bear • Tower of Terror Marvel The Avengers: Iron Man • Captain America • Thor • The Hulk • Black Widow • Hawkeye • Falcon • War Machine • Winter Soldier • Ant-Man • Black Panther • Vision • Sharon Carter Ultimate Spider-Man: Spider-Man • Venom • Green Goblin • Miles Morales • Lizard • Rhino • Doctor Octopus • Iron Spider • Spider-Gwen • Kraven the Hunter • Hobgoblin Guardians of the Galaxy: Star-Lord • Gamora • Rocket Raccoon • Groot • Drax Marvel’s Women of Power: Wasp • Elektra • Captain Marvel • She-Hulk • Spider-Woman Marvel Icons: Daredevil • Doctor Strange • Ghost Rider • Ms. Marvel • Thanos Star Wars Luke Skywalker • Han Solo • Princess Leia • C-3PO • R2-D2 • Moff Tarkin • Yoda • Chewbacca • Stormtrooper • Sandtrooper • AT-AT Driver • Red Guard • Tusken Raider • Jawa • Wicket • Jabba the Hutt • Greedo • Obi-Wan Kenobi • Qui-Gon Jinn • Queen Amidala • Clone Trooper • Jar Jar Binks • Darth Maul • Jango Fett • General Grievous • Aayla Secura • Anakin Skywalker/Darth Vader • Mace Windu • Count Dooku • Plo Koon • Dewback • Rey • Finn • BB-8 • Kylo Ren • Poe Dameron • Captain Phasma • First Order Stormtrooper • Maz Kanata • The Mandalorian • The Child The Muppets Kermit • Miss Piggy • Fozzie Bear • Rowlf • Gonzo • Animal • The Swedish Chef

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Media Disney Emoji Blitz (mission tags) • Event list • Item collections list • As Told by Emoji Disney feature films Mickey Mouse & Friends: Mickey • Minnie • Donald Duck • Daisy • Pluto • Goofy • Steamboat Willie Mickey • Retro Minnie • Oswald the Lucky Rabbit • Holiday Mickey • 8-Bit Mickey • Holiday Minnie • Holiday Pluto • Rose Gold Minnie • Rainbow Mickey • Vampire Mickey • Witch Minnie • Mermaid Minnie • Deep Sea Mickey • Crab Donald • Fairy Minnie • Seashell Daisy • Pirate Peg-Leg Pete • Birthday Baby Pluto • Peppermint Minnie • Gardener Mickey • Flower Minnie • Watermelon Minnie • Ice Cream Mickey • Soft Serve Donald • Sea Creature Goofy • Pumpkin Mickey • Pumpkin Minnie • Gingerbread Mickey • Christmas Clarabelle Cow • Garnet Minnie • Rainy Day Donald • Astronaut Mickey • Alien Pluto • Pine Cone Pluto • Pancake Goofy • Blueberry Muffin Donald • Santa Goofy • Platinum Mickey • Fashion Minnie • Spring Flute Mickey • Winter Pete The Lion King: Simba • Timon • Pumbaa • Rafiki • Scar • Spirit Mufasa • Nala • Shenzi • Baby Simba • Zazu • Adult Simba • Platinum Simba • Mufasa The Little Mermaid: Ariel • Flounder • Sebastian • Ursula • King Triton • Prince Eric • Wedding Ariel • Vanessa • Flotsam • Amethyst Ursula Bambi: Bambi • Thumper • Pretty Flower • April Shower Bambi • Floral Ms. Bunny The Aristocats: Marie Winnie the Pooh: Winnie the Pooh • Tigger • Piglet • Eeyore • Rabbit • Honey Bee Pooh • Flower Piglet • Bunny Tigger • Baby Chick Eeyore • Honey Cake Pooh Pinocchio: Jiminy Cricket • Pinocchio • Blue Fairy • Figaro Dumbo: Dumbo • Timothy Mouse Peter Pan: Tinker Bell • Peter Pan • Captain Hook • Wendy • Nana • Smee • John Darling • Slightly • Holiday Tinker Bell • Topaz Tinker Bell • Captain Pan Aladdin: The Genie • Aladdin • Jasmine • Jafar • Abu • Rajah • Iago • Magic Carpet • Disguised Jasmine • Snake Jafar • Vacation Genie • Prince Ali • Aquamarine Jasmine • Elephant Abu • Sultan • Baby Rajah • Red Carpet Genie • Genie Jafar • Cave of Wonders Alice in Wonderland: Alice • White Rabbit • Cheshire Cat • Mad Hatter • Caterpillar • The Queen of Hearts • Doorknob • King of Hearts • Little Oysters • House Alice • Rose • March Hare Cinderella: Cinderella • Fairy Godmother • Gus • Prince Charming • Jaq • Lucifer • Anastasia • Drizella • Lady Tremaine • Wedding Cinderella • Pink Dress Cinderella • Holiday Cinderella Frozen: Elsa • Anna • Olaf • Sven • Kristoff • Marshmallow • Grand Pabbie • The Fire Spirit • Elsa the Snow Queen • Queen Anna • Diamond Elsa • Young Anna Lilo & Stitch: Stitch • Lilo • Jumba • Scrump • Angel • Shaved Ice Stitch • Rainbow Stitch Zootopia: Judy Hopps • Nick Wilde • Clawhauser • Finnick • Flash Beauty and the Beast: Belle • The Beast • Lumiere • Cogsworth • Mrs. Potts • Chip Potts • Gaston • Enchantress • Winter Belle • Fancy Beast • Bookworm Belle Moana: Moana • Maui • Pua • Hei Hei • Gramma Tala • Tamatoa • Baby Moana • Te Fiti • Kakamora Chief • Te Kā Mulan: Mulan • Mushu • Cri-Kee • Ping • Shan Yu • Li Shang • The Emperor Tangled: Rapunzel • Pascal • Flynn Rider • Maximus • Tiara Rapunzel • Mother Gothel • Wedding Maximus • Baby Rapunzel Sleeping Beauty: Aurora • Prince Phillip • Maleficent • Flora • Fauna • Merryweather • Winter Aurora • Dragon Maleficent • Briar Rose • Peridot Maleficent The Jungle Book: Baloo • Kaa • King Louie • Mowgli • Shere Khan • Bagheera Fantasia: Sorcerer’s Apprentice Mickey • Yen Sid • Chernabog One Hundred and One Dalmatians: Cruella De Vil • Perdita • Patch • Winter Cruella The Nightmare Before Christmas: Jack Skellington • Sally • Zero • Oogie Boogie • Santa Jack • Dr. Finkelstein • The Mayor • Christmas Sally • Man-Eating Wreath Pocahontas: Pocahontas • Flit • Meeko • Percy • Grandmother Willow • Governor Ratcliffe Big Hero 6: Hiro Hamada • Baymax Wreck-It Ralph: Vanellope • Ralph • Yesss • Fix-It Felix Jr. • Calhoun • King Candy • Pixel Ralph The Princess and the Frog: Tiana • Louis • Ray • Dr. Facilier • Almost There Tiana • Prince Naveen Lady and the Tramp: Lady • Tramp Hercules: Hercules • Meg • Pegasus • Hades • Phil • Zeus • Baby Pegasus The Emperor’s New Groove: Kuzco • Kronk • Pacha • Yzma • Yzma Kitty Snow White and the Seven Dwarfs: Snow White • Dopey • Magic Mirror • The Evil Queen • Grumpy • The Prince • Sleepy • Doc • Winter Snow White • The Witch The Rescuers: Bernard • Bianca • Madame Medusa Robin Hood: Robin Hood • Maid Marian • Lady Kluck • Little John • Sir Hiss • Prince John The Adventures of Ichabod and Mr. Toad: Mr. Toad The Hunchback of Notre Dame: Esmeralda • Quasimodo • Hugo The Sword in the Stone: Arthur • Archimedes • Merlin • Madam Mim • Sugar Bowl • Young Mim Mickey’s Christmas Carol: Bob Cratchit Mickey • Ghost of Jacob Marley • Ebenezer Scrooge McDuck • Tiny Tim • Emily Cratchit Minnie • Ghost of Christmas Future Pete A Goofy Movie: Max • Vacation Goofy • Powerline Raya and the Last Dragon: Raya • Sisu • Tuk Tuk • Namaari • Human Sisu The Three Caballeros: José • Panchito • Caballero Donald Encanto: Mirabel • Antonio • Luisa • Bruno • Isabela • Platinum Mirabel Bolt: Bolt The Fox and the Hound: Tod • Copper The Great Mouse Detective: Professor Ratigan Tinker Bell: Silvermist • Iridessa Disney animated shows DuckTales: Scrooge McDuck • Launchpad McQuack • Webby Vanderquack • Gizmoduck • Magica De Spell Darkwing Duck: Darkwing Duck Rescue Rangers: Chip • Dale • Gadget • Monterey Jack • Devil Dale • Angel Chip Gargoyles: Goliath • Bronx • Demona The Proud Family: Penny Proud • Suga Mama Pixar Monsters, Inc.: Mike • Sulley • Randall • Celia • Roz • Boo Toy Story: Woody • Buzz Lightyear • Alien • Jessie • Bullseye • Bo Peep • Forky • Rex • Duke Caboom • Hamm • Mrs. Nesbit • Zurg • Lotso • Platinum Woody • Bunny • Stinky Pete WALL-E: WALL-E • EVE Finding Nemo/Finding Dory: Nemo • Dory • Hank • Crush • Bruce • Baby Dory • Destiny • Bailey • Pearl Cars: Lightning McQueen • Cruz Ramirez • Jackson Storm • Mater • Miss Fritter Inside Out: Joy • Sadness • Anger • Disgust • Fear • Bing Bong • Rainbow Unicorn Coco: Miguel Rivera • Héctor • Dante • Imelda • Pepita • Alebrije Dante • Disguised Miguel • Ernesto • Mama Coco Ratatouille: Remy • Anton Ego The Incredibles: Mr. Incredible • Elastigirl • Jack-Jack • Violet • Dash • Frozone • Edna Mode • Syndrome A Bug’s Life: Flik • Princess Atta • Heimlich Brave: Merida • Young Merida Up: Dug • Russel • Carl • Kevin • Alpha • Headphones Dug Onward: Ian • Barley • The Manticore Soul: Joe • 22 Luca: Luca • Alberto Turning Red: Meilin Lee • Red Panda Mei • Abby Park • Red Panda Ming Lee Lightyear: Captain Lightyear • Sox Disney video games Kingdom Hearts: Sora • Aqua • Captain Goofy • Royal Magician Donald Disney live-action films Pirates of the Caribbean: Captain Jack Sparrow • Barbossa • Davy Jones • Elizabeth Swann • Prison Dog • Tia Dalma Descendants: Mal Hocus Pocus: Winifred Sanderson • Mary Sanderson • Sarah Sanderson • Binx • Billy Butcherson • Young Winifred • The Book Mary Poppins: Mary Poppins • Bert • Jolly Holiday Mary Poppins Enchanted: Giselle • Wedding Giselle Jungle Cruise: Frank • Lily Houghton Disney Parks The Haunted Mansion: Hatbox Ghost • Madame Leota • The Bride • Hitchhicker Ghost Phineas • Constance Matterhorn Bobsleds: Abominable Snowman Journey Into Imagination: Figment • Sketch Figment Main Street Electrical Parade: Electrical Parade Minnie • Electrical Parade Tinker Bell • Electrical Parade Elliott The Muppets The Muppets: Kermit the Frog • Fozzie Bear • Swedish Chef • Miss Piggy • Gonzo • Madame Pigota • Gauzey the Hatbox Bear • Bob Cratchit Kermit • Miss Piggy Emily Cratchit Lucasfilm Star Wars: Rey • Finn • BB-8 • Kylo Ren • Luke Skywalker • Princess Leia • The Mandalorian • The Child • Chewbacca • Hondo • Stormtrooper • Han Solo • R2-D2 • Cara Dune • Moff Gideon • Death Trooper • Poe Dameron • C-3PO • Boba Fett • Jabba the Hutt • Anakin Skywalker/Darth Vader • Queen Amidala • Darth Maul • Fennec Shand • Ahsoka Tano • Jedi Anakin • General Grievous • Yoda • Lando Calrissian • Emperor Palpatine • Grand Moff Tarkin • K-2SO • Jyn Erso • Cassian Andor • Obi-Wan Kenobi • Grand Inquisitor • Wicket • Jedi Master Luke • Imperial Stormtrooper • Bo-Katan • Cad Bane Indiana Jones: Indiana Jones • Marion Ravenwood Willow: Willow • Kit 20th Century Studios Ron’s Gone Wrong: Barney • Ron Ice Age: Scrat • Sid Anastasia: Anastasia Romanov • Rasputin Titanic: Rose (DeWitt) • Jack

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Disney feature films A Goofy Movie: Powerline Aladdin: Aladdin • Genie • Jafar • Jasmine • Rajah Alice in Wonderland: Alice • Mad Hatter • Queen of Hearts • Cheshire Cat Atlantis: The Lost Empire: Kida Nedakh • Vincenzo Santorini • Helga Sinclair • Milo Thatch • Audrey Ramirez Beauty and the Beast: Gaston • Beast • Belle Big Hero 6: Hiro Hamada • Baymax • Honey Lemon • Wasabi • Go Go Tomago • Fred Bolt: Bolt Cinderella: Fairy Godmother • Cinderella Frozen: Elsa • Olaf • Kristoff • Sven • Anna Hercules: Hades • Hercules • Megara • Zeus • Philoctetes Lilo & Stitch: Stitch • Pleakley • Jumba • Angel • Lilo Pelekai Mickey Mouse & Friends: Mickey Mouse • Goofy • Minnie Mouse • Pluto • Pete • Daisy Duck Moana: Moana • Maui Mulan: Fa Mulan • Li Shang • Shan Yu • Mushu Peter Pan: Peter Pan • Captain Hook Pocahontas: Pocahontas Raya and the Last Dragon: Raya • Sisu • Namaari Robin Hood: Robin Hood • Sheriff of Nottingham • Little John Sleeping Beauty: Maleficent • Aurora • Prince Phillip Snow White and the Seven Dwarfs: The Evil Queen • Snow White Tangled: Rapunzel • Flynn Rider • Maximus • Mother Gothel The Black Cauldron: The Horned King The Emperor’s New Groove: Yzma • Kronk • Pacha The Great Mouse Detective: Basil of Baker Street The Hunchback of Notre Dame: Esmeralda • Quasimodo • Phoebus The Jungle Book: King Louie • Baloo • Bagheera • Kaa The Lion King: Scar • Rafiki • Timon • Pumbaa • Simba • Nala The Little Mermaid: Ariel • Ursula • King Triton The Nightmare Before Christmas: Jack Skellington • Sally • Oogie Boogie • Lock, Shock, and Barrel • Mayor of Halloween Town The Princess and the Frog: Dr. Facilier The Sword in the Stone: Merlin • Madam Mim Treasure Planet: Captain Amelia • Jim Hawkins • John Silver Wreck-It Ralph: Wreck-It Ralph • Vanellope von Schweetz • Fix-It Felix Jr. • Sergeant Calhoun • Shank Winnie the Pooh: Winnie the Pooh • Tigger • Eeyore Zootopia: Judy Hopps • Nick Wilde • Yax • Finnick • Chief Bogo • Clawhauser • Koslov • Mr. Big • Bellwether Disney animated shows Chip ‘n Dale Rescue Rangers: Chip and Dale • Gadget Hackwrench • Zipper Darkwing Duck: Darkwing Duck • Megavolt • Quackerjack DuckTales: Scrooge McDuck • Huey, Dewey, and Louie • Donald Duck • Fenton Crackshell • Launchpad McQuack • Magica De Spell Gargoyles: Goliath • Demona Kim Possible: Kim Possible • Dr. Drakken • Shego • Ron Stoppable • Rufus • Duff Killigan Phineas and Ferb: Agent P Pixar A Bug’s Life: Flik • Hopper Brave: Merida Coco: Miguel Rivera Finding Nemo: Gerald • Marlin • Nemo • Hank • Dory Inside Out: Anger • Joy • Sadness • Disgust • Fear Luca: Luca Paguro • Alberto Scorfano Monsters, Inc.: James P. Sullivan • Boo • Mike Wazowski • Randall Boggs Onward: Ian Lightfoot • Corey the Manticore • Barley Lightfoot Ratatouille: Alfredo Linguini • Remy • Colette Tatou Soul: 22 The Incredibles: Mr. Incredible • Elastigirl • Dash Parr • Violet Parr • Jack-Jack Parr • Frozone • Syndrome • The Underminer • Voyd Toy Story: Woody • Buzz Lightyear • Jessie • Rex • Emperor Zurg • Bo Peep • Billy, Goat, and Gruff • Duke Caboom • Ducky and Bunny • Slinky Dog • Hamm Turning Red: Mei Lee Up: Carl Fredricksen • Dug • Russell • Kevin WALL-E: WALL-E • EVE Disney live-action films Hocus Pocus: Winifred Sanderson • Sarah Sanderson • Mary Sanderson • Thackery Binx • Billy Butcherson Pirates of the Caribbean: Jack Sparrow • Hector Barbossa • Tia Dalma • Davy Jones The Rocketeer: Cliff Secord Tron: Kevin Flynn • Quorra • Tron The Muppets Animal • Miss Piggy • Gonzo • Dr. Bunsen Honeydew • Beaker • Kermit the Frog • The Swedish Chef • Fozzie Bear

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Media Disney Dreamlight Valley Characters Beauty and the Beast: Beast • Belle Cinderella: Cinderella DuckTales: Scrooge McDuck Frozen: Anna • Elsa • Kristoff • Olaf Lilo & Stitch: Stitch Mickey Mouse & Friends:Mickey Mouse • Minnie Mouse • Donald Duck •Goofy Moana: Moana • Maui • Pua Monsters, Inc.: James P. Sullivan Ratatouille: Remy The Sword in the Stone: Merlin The Lion King: Simba • Nala • Scar • Timon • Pumbaa The Little Mermaid: Ariel • Prince Eric • Ursula Toy Story: Woody • Buzz Lightyear • Jessie WALL-E: WALL-E Wreck-It Ralph: Wreck-It Ralph • Vanellope von Schweetz

Морфемный разбор слова:

Однокоренные слова к слову:

существительное ↓

Мои примеры

Словосочетания

Примеры

They live down in the valley.

Они живут внизу в долине.

Heavy rains flooded the valley.

Проливные дожди затопили долину.

The road runs along a valley.

Дорога проходит по долине.

Fog was creeping into the valley.

Туман окутывал долину.

The stream runs down the valley.

Поток стекает в долину.

The clouds float lazily over the valley.

Облака медленно плывут над долиной.

The stream serpentines through the valley.

Река, извиваясь, течёт по равнине.

The town lies in a small wooded valley.

Город расположен в небольшой лесистой долине.

. the valley will be the first to flood if the river rises.

. долина будет затоплена первой, если уровень воды в реке поднимется.

The stream twists down through the valley.

Ручей петляет по долине.

The land rises up from the valley.

Земля поднимается из долины вверх.

We gazed across the valley.

Мы смотрели на долину.

Rivers traverse the valley floor.

По дну долины протекают реки.

The mountains loom above the valley.

Над долиной показались очертания гор.

The wind blustered through the valley.

Ветер бушевал в долине.

Their house was on the side of the valley.

Их дом располагался на склоне долины.

The house has expansive views of the valley.

Из дома открывается обширный вид на долину.

Apples grow in profusion in this valley.

В этой долине в изобилии растут яблоки.

The valley was convulsed by an earthquake.

Долина пострадала от землетрясения.

Part of the valley was in shadow.

Часть долины была в тени.

The rains came and flooded the valley.

Начались дожди, и долина оказалась залита водой.

The valley was engulfed in a thick fog.

Долина была погружена в густой туман.

Rocks enclosing, in an embrace, a valley.

Скалы, заключающие в свои объятия долину.

The break in the dam threatened the valley.

Прорыв дамбы поставил долину под угрозу.

The valley was between two ranges of hills.

Долина располагалась между двумя грядами холмов.

The flood raced through the valley.

Потоки воды промчались по долине.

The river snakes through the valley.

Река змеёй вьётся по долине.

A herd of goats descended into the valley.

В долину спустилось стадо коз.

The valley is a patchwork of family farms.

Долина представляет собой «лоскутное одеяло» семейных ферм.

The valley is shut off from the modern world.

Долина отрезана от современного мира.

Примеры, ожидающие перевода

The valley is a desolate moonscape.

The valley is a mecca for wine lovers.

The regiments debouched from the valley

Источник

Валли как пишется на английском

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Источник

валли

1 Валли

См. также в других словарях:

Валли — Валли, Алида Алида Валли Alida Valli Дата рождения: 31 мая 1921(1921 05 31) … Википедия

ВАЛЛИ — Эта страница была удалена. Для справки ниже показаны соответствующие записи из журналов удалений и переименований. 07:57, 8 мая 2010 Obersachse (обсуждение | вклад) удалил «ВАЛЛИ» ‎ (критерий быстрого удаления »П.3»… … Википедия

валли́ец — валлиец, ийца; р. мн. ийцев … Русское словесное ударение

Валли — (Valley, The)Valley the, гл. город британского о. Ангилья в Вест Индии; 2000 жителей (1985). Расположен в центр. части о ва. Обслуживается аэропортом Уоллблейк* … Страны мира. Словарь

Валли сомневающаяся — (нем. Wally, die Zweiflerin) роман Карла Гуцкова, впервые опубликованный в 1835 году. Роман, написанный в духе некоторых идей «Молодой Германии», подрывал моральные устои немецкого общества того времени, ставя под вопрос брак и… … Википедия

Валли (знак) — Валли ( വള്ളി ) внутристрочный знак огласовка в письменности малаялам, соответствующая букве икарам, графически является омоглифом бирманского знака маучха (большая ечха). Синоглифы В арабском кясра. В иврите хирик. В тибетском … Википедия

валли́йский — валлийский … Русское словесное ударение

ВАЛЛИ Алида — ВАЛЛИ (Valli) Алида (р. 31 мая 1921), итальянская актриса. Настоящие имя и фамилия Анна Мария Альтенбургер. Училась в Римском экспериментальном киноцентре. Дебютировала в фильме «Два сержанта» (1936) Энрико Гуаццони. Стала популярной еще в… … Энциклопедия кино

ВАЛЛИ УЛЛАХ — Д е л и й с к и й (1702–62) – инд. мыслитель. Стремился реформировать господств. религ. идеологию ислама на рациональных началах. В трактате Защитник всевышнего Аллаха ( Худжатул Аллах аль Балиган ) В. У. рисует идеал орг ции общества.… … Философская энциклопедия

Валли (опера) — Опера Валли La Wally Композитор Альфредо Каталани Автор(ы) либретто Луиджи Иллика Количество действий 4 … Википедия

Валли, Алида — Алида Валли Alida Valli Студийная фотография 1940 х годов Дата рождения: 31 мая 1921(1921 05 31) … Википедия

Источник

wally

1 wally

2 Wally

3 wally

I’m afraid to be seen anywhere with Boris. He’s such a wally. — Я боюсь показываться на людях с Борисом. Он такой нелепый.

4 wally

5 wally

6 wally I

2) pl побрякушки, женские украшения

7 wally II

8 wally

9 Wally

10 wally

11 wally

12 wally

13 wally

14 wally

15 Wally

См. также в других словарях:

Wally — (a nickname for Walter or Wallace), can refer to:People* Wally Hayward, South African ultra distance running legend. * Wally Lewis, Australian rugby league footballer. * Wally Parks, A founder of the National Hot Rod Association. * Wally Phillips … Wikipedia

Wally — steht für: Bildnis Wally (Schiele), ein Ölgemälde der Walburga Neuzil (Wally) von Egon Schiele La Wally, eine Oper von Alfredo Catalani Wally Yachts, eine Werft mit Sitz in Monte Carlo, Monaco Wally ist der Vorname folgender Personen: Wally… … Deutsch Wikipedia

Wally — m English: informal pet form of WALTER (SEE Walter) or, less commonly, of WALLACE (SEE Wallace). It has dropped almost completely out of fashion, especially since the slang word wally is used in Britain for a stupid or incompetent person … First names dictionary

wally — ► NOUN (pl. wallies) Brit. informal ▪ a silly or inept person. ORIGIN perhaps a shortened form of the given name Walter: the use possibly arose from an incident at a 1960s pop festival when a Wally became separated from his companions, his name… … English terms dictionary

wally — term of admiration, Scottish, early 16c., of unknown origin. As a masc. proper name, a dim. of WALTER (Cf. Walter), and this might be the source of the teen slang term unfashionable person (1969) … Etymology dictionary

wally — UK [ˈwɒlɪ] / US [ˈwɑlɪ] noun [countable] Word forms wally : singular wally plural wallies British informal a silly person Don t be such a wally! … English dictionary

Wally — noun A diminutive of the male given names Walter and Wallace. Mr. Szalla is my eighty two year old father, Nikki. Please call me Wally … Wiktionary

Wally — Walli, Wally Kurzform von → Valerie (Bedeutung: der Kräftige, Starke, angelehnt an ein altrömisches Geschlecht) und → Walburg (Bedeutungszusammensetzung aus: »herrschen« und »Schutz«) … Deutsch namen

wally — wal|ly [ˈwɔli US ˈwa: ] n plural wallies BrE informal someone who behaves in a silly way ▪ Stop being such a wally! … Dictionary of contemporary English

Источник

Валли

1 Валли

См. также в других словарях:

Валли — Валли, Алида Алида Валли Alida Valli Дата рождения: 31 мая 1921(1921 05 31) … Википедия

ВАЛЛИ — Эта страница была удалена. Для справки ниже показаны соответствующие записи из журналов удалений и переименований. 07:57, 8 мая 2010 Obersachse (обсуждение | вклад) удалил «ВАЛЛИ» ‎ (критерий быстрого удаления »П.3»… … Википедия

валли́ец — валлиец, ийца; р. мн. ийцев … Русское словесное ударение

Валли — (Valley, The)Valley the, гл. город британского о. Ангилья в Вест Индии; 2000 жителей (1985). Расположен в центр. части о ва. Обслуживается аэропортом Уоллблейк* … Страны мира. Словарь

Валли сомневающаяся — (нем. Wally, die Zweiflerin) роман Карла Гуцкова, впервые опубликованный в 1835 году. Роман, написанный в духе некоторых идей «Молодой Германии», подрывал моральные устои немецкого общества того времени, ставя под вопрос брак и… … Википедия

Валли (знак) — Валли ( വള്ളി ) внутристрочный знак огласовка в письменности малаялам, соответствующая букве икарам, графически является омоглифом бирманского знака маучха (большая ечха). Синоглифы В арабском кясра. В иврите хирик. В тибетском … Википедия

валли́йский — валлийский … Русское словесное ударение

ВАЛЛИ Алида — ВАЛЛИ (Valli) Алида (р. 31 мая 1921), итальянская актриса. Настоящие имя и фамилия Анна Мария Альтенбургер. Училась в Римском экспериментальном киноцентре. Дебютировала в фильме «Два сержанта» (1936) Энрико Гуаццони. Стала популярной еще в… … Энциклопедия кино

ВАЛЛИ УЛЛАХ — Д е л и й с к и й (1702–62) – инд. мыслитель. Стремился реформировать господств. религ. идеологию ислама на рациональных началах. В трактате Защитник всевышнего Аллаха ( Худжатул Аллах аль Балиган ) В. У. рисует идеал орг ции общества.… … Философская энциклопедия

Валли (опера) — Опера Валли La Wally Композитор Альфредо Каталани Автор(ы) либретто Луиджи Иллика Количество действий 4 … Википедия

Валли, Алида — Алида Валли Alida Valli Студийная фотография 1940 х годов Дата рождения: 31 мая 1921(1921 05 31) … Википедия

Источник

Academy Awards
Winner for Animated Feature Film
Andrew Stanton

Nominated for Music (Original Score)
Thomas Newman

Nominated for Music (Original Song)
«Down to Earth» — Music by Peter Gabriel
and Thomas Newman; Lyrics by Peter Gabriel

Nominated for Sound Editing
Ben Burtt and Matthew Wood

Nominated for Sound Mixing
Tom Myers, Michael Semanick and Ben Burtt

Nominated for Writing (Original Screenplay)
Andrew Stanton,
Jim Reardon
Original story by
Andrew Stanton,Pete Docter

Academy of Science Fiction Fantasy & Horror Films
Nominated for Saturn
Award for Best Animated Film

Nominated for Saturn Award
for Best Director
Andrew Stanton

Alliance of Women Film Journalists
Winner of EDA Award for
Best Screenplay,Original
Andrew Stanton
Pete Docter
Jim Reardon

American Cinema Editors
Winner of ACE Eddie Award for Best
Edited Feature Film (Comedy or Musical)
Stephen Schaffer

American Film Institute
Official Selection
AFI Movies of the Year

Annie Awards
Nominated for Best Animated Feature
Nominated for Best Animated Video Game:
Heavy Iron Studios, a division of THQ, Inc.

Nominated for Animated Effects
Enrique Vila

Nominated for Character Animation
in a Feature Production
Victor Navone

Nominated for Directing in an
Animated Feature Production
Andrew Stanton

Nominated for Production Design
in an Animated Feature Production
Ralph Eggleston

Nominated for Storyboarding
in an Animated Feature Production
Ronnie del Carmen

Nominated for Voice Acting in an
Animated Feature Production
Ben Burtt — Voice of Wall-E

Art Director’s Guild & Scenic,
Title & Graphic Artists
Nominated for Excellence in Production
Design for a Feature Film: Fantasy Film
Ralph Eggleston
(production designer)

British Academy of Film and Television Arts
Winner for Animated Film
Andrew Stanton

Winner for Feature Film
Jim Morris
Andrew Stanton

Nominated for Music
Thomas Newman

Nominated for Sound
Ben Burtt
Tom Myers
Michaeel Semanick
Matthew Wood

The Boston Society of Film Critics
Winner for Best Picture

Winner for Best Animated Film

Broadcast Film Critics Association
Winner of Critics’ Choice Award
for Best Animated Feature

Nominated for Critics’
Choice Award for Best Picture

Nominated for Critics’ Choice
Award for Best Song:
«Down to Earth»Performed by Peter Gabriel,
written by Peter Gabriel and Thomas Newman

Nominated for Critics’ Choice
Award for Film of the Year

The Chicago Film Critics Association
Winner for Best Picture

Winner for Best Original Screenplay:
Andrew Stanton and Jim Reardon

Winner for Best Animated Feature

Winner for Best Original Score:
Thomas Newman

Nominated for Best Director:
Andrew Stanton

Golden Globe Awards
Winner for Best Animated Feature Film

Nominated for Best Original Song:
«Down to Earth» 
performed by Peter Gabriel,
written by Peter Gabriel and Thomas Newman

Grammys
Winner for Best Song Written for
Motion Picture, Television or Other Visual Media:
Peter Gabriel & Thomas Newman, songwriters

Winner for Best Instrumental
Arrangement (Define Dancing):
Peter Gabriel & Thomas Newman, arrangers (Thomas Newman)

Nominated for Best Score Soundtrack Album
for Motion Picture, Television or Other Visual Media:
Thomas Newman, composer

Hollywood Film Festival
Winner for Animation of the Year

International Press Academy
Winner of Satellite Award
for Motion Picture, Animated or Mixed Media

Nominated for Satellite Award for Original Score:
Thomas Newman

Nominated for Satellite Award for Sound
(Mixing and Editing)
Ben Burtt
Matthew Wood

Nominated for Satellite Award
for Original Song
«Down to Earth» —
Peter Gabriel

Kansas City Film Critics Circle
Winner of Loutzenhiser Award for Best Animated Film

Los Angeles Film Critics Association
Winner for Best Picture

Motion Picture Sound Editors Association
Winner of Golden Reel Award for Best
Sound Editing: Sound Effects,
Foley, Dialogue and ADR Animation
in A Feature Film

National Board of Review
Top Ten Films of the Year
Winner for Best Animated Feature

National Movie Award
Winner for Best Family Film

New York Film Critics Circle
Winner for Best Animated Film

Oklahoma Film Critics Circle
Top Ten Movies of the Year
Winner for Best Animated Film

Producers Guild of America Awards
Winner of Producer of the Year Award:
Animated Theatrical Motion Pictures
Jim Morris

Rolling Stone Magazine
Voted #5 movie of the year
by Rolling Stone film critics

Spike TV
Winner of Scream Award
for Best Breakout Performance

St. Louis Film Critics Association
Winner for Best Animated Film

Nominated for Best Picture

Nominated for Most Original,
Innovative or Creative Film

Nominated for Best Music
(Soundtrack or Score, Original or Adapted)

Utah Film Critics Association
Winner for Best
Achievement in Directing
Andrew Stanton

Winner for Best Animated Feature

Visual Effects Society
Winner for Outstanding Performance
by an Animated Character in a
Live Action Motion Picture

WALL-E and EVE Truck Sequence
Ben Burtt
Victor Navone
Austin Lee
Jay Shuster

Winner for Outstanding Animation
in an Animated Motion Picture
Andrew Stanton
Jim Morris
Lindsey Collins
Nigel Hardwidge

Winner for Outstanding Effects Animation
in an Animated Feature Motion Picture
Jason Johnston
Keith Daniel Klohn
Enrique Vila
Bill Watral

World Soundtrack Academy /
Ghent International Film Festival
Winner for Best Original
Song Written Directly for Film

Vancouver Film Critics Circle
Nominated for Best Film